Showing posts with label dance. Show all posts
Showing posts with label dance. Show all posts

Monday, May 27, 2013

Diary of a Dancer: Entry 1, Post-Performance Depression

This is a new series here on the blog. It might be weekly, it might be monthly, it might be sporadic, but I'm going to write it. I just finished a production of A Chorus Line, a show that highlights the amazing things that dancers do for love and so I feel compelled to put all of these thoughts and feelings into words. I'll be covering many different topics in my "Diary of a Dancer" series from the sappy to the serious, but what I am striving for above all is honesty. It's a terribly difficult thing to be a dancer, but it's also a beautiful thing, and I think we are all special because of it.

Today we are going to examine something that we all go through, but we don't always talk about, and that is post-performance depression. Imagine building a house for weeks or months, and then the whole bottom falls out of it. This is what it is like for a dancer when a show ends. You work tirelessly, put the rest of your life on the back burner, sacrifice your body and your emotions, and then it just ends. When you do something that feels so right and makes you feel so good about yourself, it's hard when it's not there because there is a void. This is the nature of the artform-shows cannot go on forever-but that still doesn't make it any easier. I think what make it so hard is that you rarely know when your next show comes along, though actors and other artists experience that as well. However, what makes dance so fleeting is the fact that our bodies don't last forever. I've never met a dancer who hasn't dealt with injury and when it comes right down to it, we are all only one serious injury away from never dancing again.

This might sound depressing, and it is, but oddly enough, it also teaches you how to live in the moment. A Chorus Line is the first time I've danced onstage since college, nearly three years ago, but I've never appreciated a performance opportunity more than this one. I've known, for the past three years, what it feels like not to dance and I never want to go through that again. I had honestly started to believe that I didn't need dance in my life anymore, but I was very wrong. I will always be grateful to A Chorus Line for reminding me that dance isn't something I "want" to do. It is something I "have" to do.

Because this experience was so personal for me, both because it is my all time favorite show and because it brought me back to dance, it will be one of the hardest to get over. I will take away amazing memories, and most importantly my renewed love of dance, but that doesn't make it any easier. When you are a dancer and your show ends, it's hard not to lose your sense of purpose. When the audience is gone, and the lights, music, and costumes, you are left with yourself. When you feel most at home on a stage and that is gone, it is very difficult to find your place in the world again. It always hits me hard, so I certainly don't have a cure for it, but what I have learned over the years is that the best shows and the best dancing experiences come to you when you need them the most and that brings me great comfort. My day job is not in the arts and that has been very difficult for me to come to terms with. I had become robotic and cold, but A Chorus Line saved me from that, and helped me to find myself again. Yes post-performance depression is very real and no, I don't know when I'm going to dance again, but what I do know is that I WILL dance again and and that, something that I could not convincingly say four months ago, is what will keep me going.

If you have experienced these feelings or something similar, leave me a comment below.

I will end this post here as I will end all of my entries and say that being a dancer takes our guts, our emotions, and our soul, but we're willing to give it again and again, wholeheartedly, just for one more chance to dance.

Dancingly yours,
Barbie

Tuesday, May 14, 2013

SYTYCD Live Blog: Season 10 Premiere!

8:58 Oh geez, I never thought I'd have to see Sasha's crazy face again :(
8:56 Okay, these guys are actually pretty good. Not show good....but they have a cool story and decent moves to back it up.
8:54 Not sure what to expect from this last crew.
8:50 I'm over these "guest judges" that know nothing about dance. I want Andy Blankenbuehler, Rob Ashford, Twyla Tharp, Kenny Ortega, Bill T Jones...or really anybody who knows anything about dance. Rant over
8:48 Is this a Russian Rapper? Is that what's happening? Mary is all about him. She has that cougar look in her eye.
8:46 After all these years I will never "get" b-boying. I just don't understand how you learn it??
8:45 I expect big things from "one of the best b-boys in the world"
8:40 Enough already Jessie, if you can't talk about injuries without throwing up, get off of the dance show
8:39 I'm loving Taylor's strong style. Great to see a muscular girl who isn't a twig. There's no way she started in college
8:38 We've all been there girl. I'm pulling for you. I too have loose joints and that is rough rough rough!
8:32 Adding that moaning rendition of "Send In The Clowns" to the torn ACL was excruciating times two
8:31 Wait, did she just start dancing in college? Or did she dance before? I just cannot do these sad stories anymore. However will I get through this summer?
8:29 That freaky girl walking on her hands reminded me of Tori Amos as a b-girl
8:26 Tutu necklace boy...we've got our first nut of the year. He is straight up crazy, but his movements are so original. I bet he goes to the choreo round.
8:20 The Benji of Armenia? Hmmm...that's interesting
8:18 First time we've had a winner from another country. That is interesting..... I always find it awkward when only one of the partners is actually auditioning. Like, should we ignore the other one?
8:12 This blonde girl seems very natural, but with a little crazy behind her eyes. I'm intrigued!
8:09 Geez this girl just said she was partially deaf...dead pan. I like her already! She has spunk and her mom was a dancer. That's so Sheila from A Chorus Line.
8:08 We have our first "feelingsy story of the season" that's how you know we are on reality TV. You don't get on this show without an emotional story. This girl from Utah looks like Tinker Bell.
8:07 Sorry, they let Fiction have too much time, he's just not all that interesting. However, the judges seem to love it so color me baffled.
8:05 Wait, his name is Fiction? Did he really not know they do a week in Vegas? We've seen all these moves before, but he has a quirky personality!
8:03 SYTYCD Season 10 here we go! We're starting in LA!

Wednesday, June 27, 2012

SYTYCD Live Blog: Top 20 Selection

9:59 Meanwhile, Mia herself is looking rough as usual!
9:58 Mia's movement was fantastic tonight...very simple but powerful on the whole group
9:56 OMG the return of Mia! Very cool dance thus far
9:47 I'm loving Cole, he really stands out to me. What a unique dancer
9:46 I love Sonya's broad view of partnering
9:46 Sonya working with dudes has to be amazing!
9:38 Not a Travis fan, but I do like this unison movement
9:36 Eww Travis...real choreographers don't just "put in tricks because dancers can do them"
9:28 These guys are freaking awesome!
9:25 A baseball routine...bangin!! This is so freaking cool!
9:24 Yay hip-hoppers/b-boys finally
9:19 I love this Asian Martial Arts Fusion guy.....he is so versatile
9:13 Where are the breakers and b-boy/b-girls?
9:11 This piece isn't doing much for me
9:10 Stacey Tookey is unecessary
9:09 One girl spot left....big surprise they are looking for "star quality"
9:06 Mary, that little turn the doorknob thing was beyond tacky
9:05 Aww Blake was so cute!
8:59 Why so androgynous Melanie dear?
8:56 Thank you Sonya for showing that girls actually can lift girls
8:55 Oh poor dear Janelle. Luckily she'll be fine. These two jazz girls could be twins BTW
8:54 Nevermind...rejection central right here
8:53 Geez have they rejected anybody yet???
8:52 That little curly brunette is presh!
8:46 I love all the ballet! Desmond & Dwight.....I should've known
8:43 This space-aged ballet is beautiful beyond words!
8:40 Blue Suede shoes...that's cute
8:38 I love this mop-haired girl...what is her name again?
8:33 Zooey.....just stop
8:30 I love Jason's routines....this piece is fierce!
8:29 How cute...the blonde besties are together!
8:29 Yay Whitney #TeamWhitney
8:28 Drama alert...2 Bffs going into the decision room together!
8:27 Oh boy, we have sadgirl.com here, but he's in the Top 20 anyway
8:19 Zip it Zooey, you know nothing about dance. Obviously FOX is just trying to promote it's other shows
8:18 Alexa wins the hairography award
8:17 Nigel just LOVES kissing up to Tyce
8:15 I feel like I'm going to like Alexa, but for her hair and not her dancing
8:15 I love that bench and this is actually pretty cool movement.
8:14 TYCE....gag me please and thank you
8:14 Amber looks like an odd egg to me, but I loved her genuine reaction
8:13 Did this Amber chick think if she colored her hair like Rihanna she'd make the show?
8:13 Poor Megan...first reject from the top 20
8:12 Thank God for Debbie Reynolds...she makes this whole judging mess bearable
8:12 For College Hoops fans....George looks a little like Anthony "unibrow" Davis to me
8:11 Alexa is an odd choice for "featured TV dancer" because she doesn't have the magnetic personality that Melanie had when they put her in that role last season
8:10 Seeing Adam Shankman + Tyce Diorio in the same video clip just turned my stomach.
8:09 Alexa is all about that red lip! Why are they trying so hard to get us to like her? If we want to like her then we will on our own.
8:08 Choosing one top boy and one top girl is so smart because it's too hard to compare them
8:05 Man are they talking up this chick Alexa...they want us to love her. She is this year's Ryan Ramirez. She'll flame out under top 20 pressure.
8:03 Big format change this season....no results show and TWO winners (America's fave girl and boy dancer)
8:03 What on EARTH does Zooey Deschanel know about dance???
8:02 Ooooo look at fancy Cat!
8:01 Ready for a cheesy recap?
8:00 Here we go, who is ready for the slow, painful, prolonged top 20 process?

Tuesday, February 14, 2012

Dance Moms: Season 2, Episode 6 LIVE BLOG

  • "Last week we were out-dance" Abby...true story!
  • Secaucus New Jersey=heavy hitters? What the what??
  • Yay McKenzie, top of the pyramid!! You go girl!
  • No group routine, all solos, I love this idea!
  • Uh oh, we're certain to get some trailer trash costumes
  • Holly does not have time to make Nia's costume, no way
  • Christie breaks all the rules, yet she's calling out Jill for trying to break a costume rule?
  • Jill, I'm calling you on it, get your street shoes off the dance floor!
  • Oooo, digital pyramid at Candy Apples
  • I bet hardly anybody shows up for Cathy's open call
  • "My solo this week is a Spanish influence" -Maddy
  • I love that Maddy is like a miniature adult, she's so grown up in that little body
  • Abby is being tres harsh on Maddy these last few weeks
  • Jill clearly knows nothing of "paying your dues
  • Looks like Cathy is about to get a little taste of some "dance moms" herself
  • Cathy is clearly loving Peyton, duh Abby trained her and she's fantastic
  • Why did Peyton try out if she doesn't want to make the drive
  • Wow Leslie is getting into it with Cathy
  • Headed back to the Burgh, Leslie is about to crawl back to Abby
  • Christi is spot on, with ballet there is a right and a wrong way, no gray area
  • I've had comps cancelled last minute...it sucks
  • I've also had to dance on a gym floor before...that sucks too
  • Now a sane teacher would use these solos for next week since they didn't make it to a competition yet
  • Christi, stop calling out Jill, who cares if she reused a costume
  • Abby is wearing the heck out of all those sparkles right now
  • Touche Christi, Jill's hat is heinous
  • This whole costume thing is ridonkulous, unreal
  • Holly is the only one of these moms who is a real person
  • Note to Jill, never make your child stop dancing, never do it, the chance to dance is fleeting
  • Did Melissa steal Melissa's top
  • Oh boy, Maddy was more worried about upsetting Abby than breaking your hip
  • Oh boy, Abby is criticizing that Maddy bailed mid-acro move
  • Paige is adorable, I love her facial expressions
  • Good for Paige, she won and that's awesome
  • Buh-bye Jill

Tuesday, January 17, 2012

Dance Moms: Season 2, Episode 2 LIVE BLOG

  • Here we go, Abby is stomping around and getting the girls ready for CANDY APPLES
  • I love that "She" automatically means Cathy
  • Kendall sweetie, don't you get that in Abby's world, your best isn't good enough?
  • These "apple" references are so overdone
  • This new mom needs to get to the program, Jill is it?
  • Oh boy, this mom did NOT just call out Holly, she'll be sorry
  • This group is indeed like a sorority, you got it Christi
  • If Jill walks into the studio in shoes, she's clearly never been in a dance studio before
  • The look on Kelly's face when Jill confronts Abby is priceless, I'm dying!
  • Those shots of Cathy's kids aren't half bad, but Vivvy doesn't belong in that group
  • Do these women work? Or are they just ladies who lunch?
  • I wish they'd let Brooke do something other than acro please!
  • I love that Vivi is just like bopping along in the background while Erica is rehearsing
  • "I cut my finger on my mom's ring, I hope I can still dance" -Vivi #priceless
  • Christi bringing out the program books is just ridiculous, there is no reason to put down a kid dear
  • What is with this "rat" thing?
  • I love that Abby just asked Kelly if she's drinking, haha
  • I love that Maddie and Melissa aren't the enemies this season, that's a refreshing change
  • I actually like the way that Cathy interacts with her dancers, at least from what I can see
  • The way Kelly says "costumes" is so annoying!
  • The whole "gifting Abby" thing is kind of ridiculous
  • And then she just asked for a husband, I'm sure this show has them lining up
  • Cathy is trying to seduce the dance moms to the Candy Apple studio, I die!
  • Who knew there were high rollers in Columbus?!
  • Abby did not get an A in hair design!
  • Abby, dance teacher who want specific hair pieces get the same thing for everybody
  • This choreography is really cute, though the costumes and hair are heinous
  • Way too many crotch shots in that piece
  • Abby has a point, what is she supposed to do about Cathy entering kids in a younger age category?
  • Abby's girls had a right win, they were more polished while Cathy's girls flailed a lot
  • I love Brooke's commitment to the makeup
  • Brooke is old enough to show some expression other than a smile, but that was nice execution of the piece
  • This whole age thing is ridiculous, they're competing against a score anyway
  • Oh boy Cathy is calling out Christi for wearing a cheap dress, this is so typical

Thursday, October 28, 2010

Favorite Figure Skating Memories #1: Sarah Hughes' 2002 Olympic Long Program

I remember this moment like it was yesterday. I was 13 years old and I was watching the ladies free skate at home with my mother. I have been a dancer for my entire life and until a few years ago, there were no dancing shows on television so I gravitated toward figure skating at a young age because the movements and the artistry seemed similar to dancing to me. Like the rest of the world, we were expecting Michelle Kwan to win her long awaited Olympic Gold Medal. But when the 16 year old Sarah Hughes took the ice and gave this phenomenal performance, we knew we were in store for a dramatic evening of fierce competition. I still remember gasping out loud when Scott Hamilton, that evening's commentator exclaimed that Sarah Hughes had won Olympic Gold. I was shocked, amazed, and inspired. I thought to myself, "she is only 3 years older than I am and she is an Olympic champion. If she could work hard that hard and be so successful in figure skating, then maybe I could be that successful as a dancer." While I'm much older now, I still remember her performance and what an inspiration she was and to this day, I still credit Sarah Hughes' Olympic gold medal winning performance with inspiring me to put all of my energy and passion into dance. If you've never seen this program or if its been a while, do yourself a favor and watch it. In all my years of watching dance and figure skating, I don't believe I've ever seen a performance filled with more passion and joy that this truly one-of-a-kind program.

Thursday, August 5, 2010

Barbie's Showtune of the Day #5: Music and the Mirror

The quality of this video isn't great, but the work is timeless. Nobody ever has or ever will perform Music and the Mirror the way Donna McKechnie did it in the original company of A Chorus Line.

Wednesday, August 4, 2010

So You Think You Can Dance: August 4th Liveblog

  • This is the top 4 episode and as per the usual, the drama is building.
  • So I do cannot for th life of me understand how Adechike is still on the show
  • Props to Lauren for being the last girl standing by a long shot
  • Whoa Cat Deeley...rocking the short do and a rad 80s sparkle dress
  • I cannot stand Tyce after seeing his egotism in Every Little Step
  • I always find it funny how the rehearsal videos make it seem as if all the dancers do in rehearsal is goof off when clearly they are working their butts off
  • You known I used to love Tyce's work but lately, I feel like his Broadway routines fail to tell a story; they are basically jazz numbers to Broadway music
  • Tyce you are so pretentious, but I love that you singled out Kent
  • The Argentine Tango is my favorite ballroom style, but why do I feel like it always has the same story regardless of the specific choreography?
  • Lauren is such a precious little pipsqueak
  • I'm actually enjoying the simplicity of this Argentine Tango: very less-is-more
  • I enjoyed the performance more than the choreography...very theatrical
  • Yeah Adam Shankman for mentioning the overturning of Proposition 8 in California!
  • Lauren looked so mature in that piece, despite her tender age
  • I like that they are doing these little video bios of the dancers and their families...it helps to remind you that they are just regular people!
  • Hello costumes!
  • I like this concept a lot
  • The routine was very fun and energetic, but I don't think the movement served the "concept"
  • "Lauren I love you" -Tyce Diorio
  • Obviously you love Lauren Gottlieb, she was your assistant 
  • Tyce, why must you wax philosophical, you just sound like an idiot
  • I agree with Mia that Adechike is not completely committing to the work or "tearing it up," he needs to let go, both of his body and of this competition
  • Yes Adam Shankman, you just TOLD Tyce
  • I miss Billy Bell
  • I LOVE Jonathan Roberts form DWTS...he is so dreamy!
  • Are Robert and Anya dancing on a cloud? Well thats what it looks like!
  • He seems just slightly stiff in this piece, I would love to see him lighten up just a hair
  • Did I just see Allison Holker in the audience? Why on earth wouldn't she be dancing?
  • Tyce.....SHUT UP
  • Tyce...silence has always been your strongest suit
  • I thought this was a gorgeous routine, don't get me wrong, but I do not think it was as phenomenal as the judges said
  • Kent was born to disco....enough said
  • Kent could stand in place for an hour and I would still love it
  • Haven't we already done a piece where Lauren tries to lure Ade?
  • I enjoyed this routine way more than Sean's afrojazz piece...by a longshot
  • There were a few awkward moments but it was a fiery routine for sure
  • I hoped Adechike would kill the Desmond/Dwight piece but I'm afraid he fell short
  • This is probably the end of the road for Adechike and I think the judges are trying to soften that blow by praising his journey
  • Wow, this spotlight on Adechike has soooo many feelings!
  • NappyTabs truly outdid themselves this week!
  • That piece was incredibly!
  • It looks to me like Robert is making a surge this week! What a great time to peak!
  • If Adechike doesn't go home tonight, there is seriously a problem
  • America made a step toward Equality today, now lets make a move towards choosing the right dancer to win SYTYCD
  • Does anybody else think that the Neil and Kent "friendship" in the piece is a code for "gay romance"? Because that is totally legal in California now
  • I bet Mia is dying right now...she loves great boy dancing
  • I normally am not a Travis Wall fan but all I have to say now is WOW
  • Nigel are you really saying that Travis is one of the best choreographers working for the show? This was a lovely piece but Travis is still pretty amateur compared to the other choreographers
  • Tyce...PLEASE SHUT UP
  • Tyce...can you be like Mia and just be speechless
  • Adam said it first, and I'm going to say it again, I think Kent just won the show

Tuesday, August 3, 2010

Barbie's Showtune of the Day #3: God I Hope I Get It

I have always loved this song because it perfectly describes how performers feel at an audition. We all hope we get the job, even though we know the chances are slim that we'll even be called back. I think my favorite part is Paul's solo at the end of the song because it is just so incredibly honest and true to what goes through performers heads.

"Who am  I anyway, am I my resume, that is a picture of a person I don't know. What does he want from me, what should I try to be? So many faces all around and here we go, I need this job, oh God I need this show."

This video is a performance of the original Broadway cast of Michael Bennett's A Chorus Line. 

 

Fun Fact of the Day: A Chorus Line and Chicago

In keeping with the dance theme today, especially since I was moving on Saturday and missed the National Dance Day festivities, I decided to post about some of the similarities between A Chorus Line and Chicago, arguably two of the most significant Broadway shows in terms of dance. There are definitely some interesting comparisons between the two, specifically in regards to TONY wins and lengths of their runs. For example, the original production of A Chorus Line and the revival of Chicago won numerous TONYs and enjoyed wildly successful runs, among the top six in Broadway history, while the revival of A Chorus Line and the original production of Chicago failed to win a single TONY award  and could not seem to find an audience for long runs. 1975, when both of these shows premiered, was clearly an incredible year for dance on Broadway, showcasing the finest works of choreographers and directors Michael Bennett and Bob Fosse. It is also important to not the Broadway dancers Charlotte D'Amboise, Bebe Neuwirth, and Ann Reinking, among others, have appeared in both A Chorus Line and Chicago.

A CHORUS LINE

Original Broadway Production: 
  • opened July 25, 1975
  • nominated for 12 TONY awards, winning 9 including Best Musical, Best Choreography, Best Score, Best Book, and Best Actress (Donna McKechnie)
  • won 1976 Pulitzer Prize for Drama
  • ran for 6137 performances



2006 Broadway Revival:
  • opened October 5th, 2006
  • nominated for 2 TONY awards for Best Revival and Best Featured Actress (Charlote D'Amboise), but lost both
  • ran for 759 performances


CHICAGO

 Original Broadway Production:
  • opened June 3, 1975
  • nominated for 11 TONY awards, won zero, lost a majority to A Chorus Line which opened the same year
  • ran for 936 performances




1996 Broadway Revival: 
  • opened November 14, 1996
  • nominated for eight TONY awards, won six including Best Revival, Best Direction, Best Choreography, and Best Actress (Bebe Neuwirth)
  • still currently running after over 5500 performances

Friday, July 23, 2010

Has So You Think You Can Dance Gone Too Far?

Television shows like FOX's So You Think You Can Dance have done wonders for an art form that seemed lost with the days of Fred Astaire & Ginger Rogers. Dancers who were once limited to performing in the chorus of Broadway shows or dancing behind pop and hip-hop stars in music videos are now receiving national exposure based on their own merit. However, in an attempt to wow television audiences and prove their technical abilities to critical panels of judges, dancers and choreographers have begun to push the boundaries of the human body in an extreme way. From gravity defying jumps to intricate partnering and often dangerous tumbling passes, performers push their physical limits every day, but has it gone too far? Many critics, and even some diehard fans of So You Think You Can Dance will answer this question with an affirmative 'yes'.

For the past three weeks of the show's seventh season, at least one dancer has injured themselves in rehearsals. On the July 7th show it was announced that Alex Wong, whom many thought to be a front-runner to win the competition, had injured his achilles tendon performing a taxing series of Russian split jumps in a Bollywood routine. He was unable to perform in the show and was automatically placed in the bottom 3 and was ultimately voted out because surgery was required to repair his severed tendon. In the same week, All-Star Allison Holker was sent to the emergency room during rehearsals due to a rib injury.

On July 14th, it was revealed at the beginning of the show that dancer Ashley Galvan would not be performing due to a rib injury. She too was voted out during the results show when her doctors prescribed at least 5-6 weeks of rest.

When we finally thought the string of injuries had ended, the July 21st show began without Billy Bell, who had hurt his knee in rehearsal. This injury appeared to be minor however, and he was not sent home during this week's results show, in fact no one was.

The show has seen some minor injuries to dancers in previous seasons, but nothing even remotely close to the bloodbath of these past three weeks. So what is going on this season that hasn't happened before? This question can be answered in a multitude of ways, but one noticeable difference between previous seasons and the current one is the All-Star format. The idea is simple: pair contestants with finalists from previous seasons to push the younger dancers to the level of those who have already been working in the industry for a few years. This format is not to blame, but the sheer number of routines for each dancer may in fact be the cause. The season started out normally with each dancer performing one duet, but oddly enough, the week that each contestant was asked to perform two duet routines and a solo in addition to the group number, was the same week the first injury to Alex Wong occurred. The amount of time spent rehearsing for multiple routines also means that dancers have little time, if any at all, to spend warming-up and taking technique classes to keep their bodies conditioned and to prevent injury.

It seems that the network and producers are trying to cram as many numbers into the show as possible to encourage viewers to keep watching and voting. But the fatal flaw in this thought process is that these dancers, though disciplined and impeccably trained, are humans, not machines. And not only has the number of routines per show increased, but so has the difficulty and risk of each piece. It is very rare to see a work of choreography on this show that does not include dangerous tumbling, jumps that could snap an ankle if the landing is the slightest bit off, or lifts that could leave the female paralyzed if she is dropped. I have always thought the show would have more artistic merit and less potential for injury if the choreographers would cut the "tricks" and actually allowed the performers to dance. But as terrifying as all of this sounds, these dancers are at the peak of their training and should not have a problem with this choreography, that is if they weren't exhausted from the other three routines they were rehearsing that same week.

Here are the opinions of some dancers and fans of the show who feel that the recent injuries are not accidents, as well as their theories on improving the show and the safety of its dancers.

"The show has had injuries in the past, but three weeks in a row is actually quite alarming. If we were talking about Dancing with the Stars where you are dealing with untrained dancers who don't know how to stretch or warm up their bodies properly, then it is quite plausible. However, these are talented and smart dancers who know their bodies and how to prevent injury. There's a huge difference between challenging the dancers to help them grow and challenging the dancers to their breaking points. It's dangerous, and these injuries could affect them for many years to come. Entertaining America is not worth risking the dancers' future careers. One or two pieces is more than enough for one night."
Komal Thakkar, dancing for 16 years

"I think that Nigel [Lythgoe, producer of So You Think You Can Dance] subconsciously mentioned something at the heart of this matter. He said something to the effect of, 'We're bringing people in to take a look at the show and what we're doing. Maybe we need to do warm-ups.' These dancers are being pushed to learn highly technical routines with minimal time with their choreographers. Then, they're rehearsing up a storm and wearing themselves out. If you aren't holding warm-ups for your dancers, you're at a major liability, no matter how may tricks they're performing."
Rick Westerkamp, dancing for 18 years

"I think its unfortunate when the producers make jokes about the seriousness of the situation [ie calling it Survivor]. Injuries are not uncommon in dance but some of the situations they have put the dancers in encourage injury. The jumps that severed Alex's achilles were very difficult and unnatural. After he suffered an injury performing the jumps, they then asked another contestant to do the same jumps in performance.

I think another part of the problem is that the dancers are being asked to do styles they are not trained in which puts them at greater risk for injury. While this has been true across all seasons, the dancers are now being asked to change partners each week instead of having the same partner for five weeks. They now have three-four days to learn a new style and get comfortable with a new partner.

I'm also think there is some blame to lay on the choreographers. Allison [Holker] had a rib injury and was asked to do a lift that required her to leap into her partner's arms and land with her rib on his shoulder. If choreographers know about specific injuries they should alter their choreography for the safety of the dancer."
Amber Lewis, dancing for 19 years

So it seems that what lies at the hear of the matter is this: the well-being of dancers is being sacrificed for ratings and audience appeal. FOX and the producers of So You Think You Can Dance must realize that they are dealing with human beings who have careers riding on the ability of their bodies to function and move properly. This conflict between innovative, entertaining choreography and the dancers' safety seems like an impossible problem to resolve, but in actuality, we have known the answer since we were three years old in our first ballet classes. We were taught by our teachers to always warm-up and stretch before class or rehearsal, take technique class regularly, and most importantly, allow ourselves to rest and recover. So shame on you Nigel Lythgoe and the other producers, you are not giving your dancers a chance to do any of these things, and their childhood ballet teachers must be very disappointed in you.

Saturday, June 19, 2010

Waltz of the Flowers, Nutcracker 2008

This is the Waltz of the Flowers, which I choreographed for Balance: The GW Ballet Group's 2008 Nutcracker. I learned so much about choreographing, casting, and rehearsing a large piece throughout this process. This experience helped me to create a much more professional work in my snow scene for the 2009 Nutcracker, although I still like this piece a lot also. Choreographing this piece was where I first discovered my love of visually pleasing formations and intricate floor patterns for large groups of dancers.

Friday, June 18, 2010

Remembered But By Me: My choreographic honors thesis

I'm finally posting the video from my honors dance thesis. Unfortunately I had to separate the piece into three videos in order to upload it, but they should run together pretty seamlessly. This work, Remembered But By Me, looks at the role of an artist and the creative process through the lens of Emily Dickinson's poetry. This piece and the rehearsal process meant so much to me and I am happy to finally be able to show the work.





Thursday, June 17, 2010

Choreography: Minor Fall, Major Lift

This is my most recent choreographic work, a piece entitled Minor Fall, Major Lift that was shown with the 2010 Balance Spring Show this past April. It addresses the dynamic of family, specifically in regards to what happens when one individual rebells against the family unit. This work begs the question of how one seeks forgiveness and ultimately regains their place in the family. Does the prodigal son figure make an effort to gain acceptance or does the group make the effort to forgive and forget?

Tuesday, June 8, 2010

Snow Scene, Nutcracker 2009

This past December, I choreographed the snow scene for Balance: The GW Ballet Group's 2009 Nutcracker. This was a challenging piece to complete but I am very proud of my work. I apologize that the full snow scene is not in one video, I am working on editing them together. The first video is the Pine Forest pas de deux between Clara and the Nutcracker as they journey into the land of snowflakes and meet the Snow Queen. In the second video, the Snow Queen and snowflakes dance as Clara and the Nutcracker travel to the land of sweets.



Choreography: Seventeen Seventy-Five Plus One, e.d.

This video is the very first piece I ever presented in a formal setting, Seventeen Seventy-Five Plus One, e.d. for the Spring 2009 Dance Works concert at The George Washington University.

Monday, June 7, 2010

Choreography: Levitating The Pentagon

I decided to take a break from the TONYs until I live-blog the red carpet and awards next Sunday. I will be posting some of my various choreographic works throughout the week until I can set some new work on dancers this summer. I will be working with various soloists, duos, and trios from my home studio, primarily teen dancers, to showcase my work with different ages and technical levels.

For now, this is a piece entitled Levitating The Pentagon that I staged for the Fall 2009 Dance Works Concert at The George Washington University.