Sunday, April 28, 2013

A Chorus Line opens May 10th at The Heights Players!


A Chorus Line opens May 10th at The Heights Players
(Brooklyn’s oldest community theater celebrating its 57th season)

The musical for everyone who has had a dream and put it all on the line
(BROOKLYN, NY)  It is a classic story and a theatrical production that celebrates the true emotion, joy and passion of Broadway – it is A Chorus Line.  With a bare stage in an empty theater, dancers audition for the chance of a lifetime, the chance to do what they’ve always dreamed of – to dance in a Broadway show.  The Heights Players proudly presents A Chorus Line, winner of nine Tony Awards and the Pulitzer Prize for Drama, for three weekends in May, opening Friday, May 10th.

A Chorus Line (music by Marvin Hamlisch, lyrics by Edward Kleban and book by James Kirkwood, Jr., and Nicholas Dante) offers a glimpse into the personalities of the auditionees and the choreographer as they describe the events that have shaped their lives and their decisions to become dancers.  It is a tribute to everyone who has put themselves “on the line” at some point in their lives.

Directed by Thomas N. Tyler, the Heights Players production features: Tony Artiga, David Arzberger, Simone Bart, Andrea Bernardo, Timothy Chan, Sean Dearing, Aurora Dreger, Alyson Ryan Fuchs, Tom Giancursio, Marissa Giglio, Hilary Goldman, Dina Grilli, Nichole Jorgensen, Desiree Justin, Maureen Kelley, Whitney Kelley, Michael Kidney, Karen Mascolo, Adrian Miranda, Julie Reed, Ian Richardson, Kristen Robles, John Sabatos and Jason Schulof.


SEE THE SHOW A Chorus Line runs from May 10th through May 26th. Performances are Fridays and Saturdays at 8:00 p.m. and Sundays at 2:00 p.m. Tickets are $20 ($18 for seniors and those under the age of 18). Reservations: 718-237-2752. Theater: The Heights Players, 26 Willow Place, Brooklyn, NY 11201. Convenient to many subway lines including: R, 2, 3, 4, 5, A, C trains.

CONTACT – If you are interested in covering The Heights Players in your media, we are happy to assist! We can provide photographs, posters and postcards, or arrange for interviews with our cast and/or production staff.
The Heights Players
26 Willow Place
Brooklyn, New York 11201

Media:               jill@lewiskelly.net                     646-872-6137
General info:    info@heightsplayers.org          718-237-2752
Reservations:  718-237-2752
___________________________________________________________________________________

THE HEIGHTS PLAYERS – In December of 1956 a small group of people interested in theater held their first meeting as The Heights Players. The first production, The Hasty Heart, opened in February 1957 at the Unitarian Church; much interest was generated by this production and a second production, The Crucible, opened in 1957. It was apparent to all concerned that a theater group had been established in Brooklyn. During the following summer a Workshop Program was begun, introducing more performers and directors to the group. During this time, the Heights Players became a non-profit educational corporation under New York statutes. In addition to 56 seasons of staging classic repertory, The Heights Players has made many contributions to the community, starting with special Theater for Children performances. The group has provided traveling entertainment to Brooklyn hospitals, nursing homes and the Hale House in Manhattan, as well as participating in local street fairs. For many years, we provided special performances for local homeless shelter residents and senior citizen centers.

Saturday, April 20, 2013

Our Review of JEKYLL & HYDE on Broadway

Last Sunday I got the chance to see Jekyll & Hyde at The Marquis Theatre after attending a pre-show brunch where I met the cast. What an entertaining show! Since this is a revival, we all know Frank Wildhorn's music. This cast truly gives the music new life, particularly Constantine Maroulis (Jekyll/Hyde) on This is the Moment and Teal Wicks (Emma) on Once Upon a Dream. There has been a lot of hype around Deborah Cox as Lucy. While she didn't excite me or really bring anything groundbreaking to the role, she was serviceable. We all know the story, but the cast keeps it fresh. Constantine Maroulis is electric. You feel for him as Jekyll and loathe him as Hyde. He transitions effortlessly between the two with different facial expressions, body carriage, vocal tones, and  of course his great free-flowing hair. The supporting cast isn't large, but they certainly support the music well. The sets are decent, but remember, this is a touring production after all.

As a whole, I was pleasantly surprised with the production. It is a limited 13-week engagement, so come see it while you can. You won't regret it! If you don't believe me, listen to these fine people.



Join in the fun and HYDE yourself like Constantine!



#HYDEyourself Instructions:

Step 1. In order to #HYDEyourself, log into your application store and download an
                image-collage application, such as PICSTITCH or PHOTOSPLIT. They're free!

Step 2. Take 2 photos of yourself, one as your “Jekyll” and one as your “Hyde.”

Step 3.  Using the image-collage program, select the 2-photo frame and insert one
                photo onto each side, adjusting them so that your face splits down the
                middle.  You can also use any photography programs you may have to alter
                the look of your photos.

Step 4. Save the image to your smart phone and upload to Instagram. (Some
programs, such as picstitch, allow the photos to be directly uploaded to
Instagram without having to save to your smart phone.)

Step 5. Make sure to tag #HYDEyourself @JekyllMusical in the comments section of the photo.

NOTE: These are instructions for how to #HYDEyourself from your smartphone, but of course entries can be submitted via computer using photoshop, paint, etc!

Our Review of ORPHANS on Broadway!


I had the great pleasure of seeing Orphans two weeks ago and it has really stuck with me. Tom Sturridge is a standout as Phillip, the younger brother of Treat (Ben Foster). The two brothers live together in North Philly, forced to fend for themselves until Harold (Alec Baldwin) comes along and shows them a glimpse of a better life. Lyle Kessler's plot is simple. Treat is a tough guy who kidnaps Harold from a bar because he likes the idea of taking control of a rich guy. But, little does he know, Harold will take over his.

Because the story is not difficult to follow, the performances really shine through. Tom Sturridge's portrayal of the younger, mentally and emotionally challenged brother, Phillip, is endearing. He is so honest in a role that could easily become a parody in the hands of a less skilled actor. He warms the heart and you will just want to give him a hug. Ben Foster's Treat is the antithesis, a hardened, strong, workhorse who will do anything necessary to provide for his brother. Alec Baldwin's Harold is about the same as Alec Baldwin in most other roles, but there's nothing with that.

This is a limited engagement so don't wait, go see it!

Gerald Schoenfeld Theatre/236 West 45th Street, New York, NY
http://www.orphansonbroadway.com/

Thursday, March 28, 2013

Our Review of HANDS ON A HARDBODY


I wanted to love this show, I really did. Hands on a Hardbody, now running at the Brooks Atkinson Theatre,has all my favorite ingredients in a new Broadway show: an American creative team telling a uniquely American story, a solid cast, brand new music with a country twang, an innovative concept, and a successful out-of-town run at La Jolla Playhouse. There is nothing else like it on stage in New York. However, this new musical stalls on many levels.

The show’s premise is interesting enoughHands on aHardbody is based on the 1997 documentary of the same name that follows contestants in a cutthroat Texas contest to win a brand new Nissan pick-up truck. The group of tenmust keep one hand on the truck at all times; the last competitor standing takes home the truck, and with it, a whole new lease on life.

This contest brings together a wide range of eccentric characters, skillfully represented by a talented ensemble cast. I can’t tell you how refreshing it was to see actors of all shapes and sizes on stage- it is a story about “normal” Americans after all! Keala Settle as the Jesus-loving, gospel-singing Norma Valverde is the unquestionable stand out of the groupSettle’s earnest, joyful performance is only enhanced by her “knows no bounds” vocal chopsThe woman can belt! Hunter Foster is almost unrecognizable playing the goatee-clad, arrogant, intimidating Benny Perkins who has already won a truck in the same contest last year. Foster’s vocal strength and stage presence anchorthe cast throughout the show. Allison Case and Jay Armstrong Johnson are delightfully awkward as the youngest competitors, dreaming of a more exciting life outside of Texas is in the song “I’m Gone.” I love Connie Ray in just about anything (any fellow fans of “TheTorkelsons” out there?), and she adds some much needed humor to the show as the struggling dealership’s marketing director. Honestly, there are no weak acting performances, just weak material.

Despite my affinity for country/pop music, I foundHardbody’s score, written by Trey Anastasio of Phish and Amanda Green, dull and forgettable. The one trueshowstopper is “Joy of the World,” the gospel song turned full cast percussion experience lead by the infectious Settle. I wouldn’t have minded a few more “Joy” moments myself. The lackluster songs come in succession one right after another with very little dialogue in between. Lucky for me, several songs had been cut from the show since the beginning of previews, keeping the run time to 2 hours 20 minutes (which still seemed too long).  The choreography (or should I say “car”eography, since almost all the numbers revolved around the bright red pick-up truck on stage) was just as monotonous. The car-eography was clever at first, but after an hour or so, I think we can ditch the truck for a few numbers.

Ultimately, I wanted to know more about each of the contestants, especially the ones who make it past the first day or so of grueling competition. Each character is written as a vague archetype: the Iraq-war veteran, the first-generation Mexican-American trying to pay his way through college, the mother of five with bills to pay, etc. Thus, I felt no emotional connection to any of the contestants. I didn’t really care who won the truck, which defeats the whole purpose of the show. I wanted someone to root for. Perhaps some extra visits from family members or boyfriends or bar buddies would have given the audience some more insight into the lives of these characters, but as written, the characters are not fully developed. And for a musical set in the parking lot of a Nissan dealership in Longview, Texas, there are very few light moments or joking to be had in such an absurd situation. Instead of jokes, Doug Wright’s book includes random and abruptpolitical commentary on everything from illegal immigrants to veterans’ affairs.

Overall, Hardbody was a nice try. I think it could have benefited from an off-Broadway run where the creative team could have streamlined the story and music numbers, but I’m glad an innovative American musical made it toBroadway nonetheless. The actors’ performances are stellar (again, Keala Settle is a force to be reckoned with), despiteweaknesses in the material. I really wanted to love it, butHands on a Hardbody never makes it out of the parking lot.

Friday, March 8, 2013

Win a pair of tickets to THE ORPHANS on Broadway!





This spring, ALEC BALDWIN (Emmy® Award winner 30 Rock, Oscar® nominee The Cooler, Tony® nominee A Streetcar Named Desire) and BEN FOSTER (Emmy® and SAG Award winner) are joined by TOM STURRIDGE (Being JuliaLike MindsThe Boat That Rocked and On the Road) in Broadway's most talked about, darkly comic play.

Two orphaned brothers live in a decrepit North Philadelphia row house. They survive by petty thievery and a steady diet of tuna fish and daytime television until the violent older brother decides to kidnap Harold (Baldwin), a notorious Chicago gangster. Harold soon becomes their father figure and the force that will forever change their lives. Written by LYLE KESSLER, directed by DANIEL SULLIVAN (Glengarry Glen Ross).

In 2005, Alec Baldwin starred in a South Pacific concert at Carnegie Hall. Who co-starred with Baldwin as Nellie and Emile?

Please post your answer in the comments section below, along with your email address. One correct answer will be selected at random on Friday March 15th at 11:59 pm.

Thank you and please check back in the coming weeks for future ticket giveaways!



Tuesday, February 5, 2013

SMASH: Season 2 Premiere

Let's kick this thing off right...Team IVY!!

10:58 Ivy looks like how I feel right now
10:49 Wow, thank you Hilty for working that 11 o'clock number!
10:40 Wow could this Brooklyn scene be any more stereotypically hipster?
10:34 Jeremy Jordan please don't get involved with this dingaling Karen
10:27 I cannot get behind Krysta, Wesley, and Savannah supporting Team Karen
10:22 Way to name drop Mary Testa, Jackie Hoffman, Cheyenne Jackson, and Harvey
10:19 Oh no this sexual harassment montage is a problem
10:15 Ivy is working the Double D Doralee look now
10:14 There are NO Broadway types hanging out at those tables in Times Square
10:03 Annaleigh Ashford is everything!
9:53 Jeremy Jordan has me sobbing right now
9:51 I have a collection of programs from failed musicals. Talk about Queening out!
9:48 Time to get an audition techniques class from Megan Hilty
9:46 What on earth is Christian's hair doing right now?
9:39 "Good luck, you deserve it" That's bad luck in the theatre!
9:35 "I'm your muse, it's what we do" #Gross
9:34 Singing next to JHUD will always make McPhee look bad
9:30 Ivy is working the Evita hair right now!
9:23 I hate Karen even more this season
9:21 Wait, why does Ivy have to apologize to Karen?
9:15 How long until Anjelica's character throws another drink?
9:14 "Someone is always waiting to take you down honey. But if the work is good, they won't be able to." -JHud
9:13 Why is Karen Cartwright happening?
9:12 I didn't realize they were going to cut to Memphis...
9:09 Remember when Christian Borle was married to Sutton Foster?
9:09 The St. James is a great theatre, but I don't think it's "the best"
9:08 "I don't read the reviews. I read Tom's face." -Julia
9:06 Wesley Taylor is divine. He is everything!
9:05 Anjelica Huston's characterr is WORKING the bangs!
9:05 Megan Hilty works the curves, she lives for a good wrap dress!
9:04 We die for Krysta Rodriguez! But we hate the fact that she is bff with Karen.
9:03 Wesley Taylor and Savannah Wise are just darling!
9:02 Does anybody else have a problem with the fact that Karen is not nearly curvy enough to play Marilyn?
9:01 Oh wow, did she or didn't she? I'm talking about Ivy's suicide attempt.

Sunday, February 3, 2013

Win a pair of tickets to HANDS ON A HARDBODY on BROADWAY!


TEN Contestants.
FOUR Days.
ONE Truck.

A new musical about holding onto a dream…and not letting go.

For ten hard-luck Texans, a new lease on life is so close they can touch it. Under a scorching sun for days on end, armed with nothing but hope, humor and ambition, they’ll fight to keep at least one hand on a brand-new truck in order to win it. In the hilarious, hard-fought contest that is HANDS ON A HARDBODY only one winner can drive away with the American Dream.

Inspired by true events, this new musical features a book by DOUG WRIGHT (Pulitzer Prize winner, I Am My Own Wife), lyrics by AMANDA GREEN (Bring It On: The Musical), and music by Trey Anastasio (Phish) and Amanda Green. Directed by Neil Pepe (Speed-The-Plow) with musical staging by SERGIO TRUJILLO (Jersey Boys, Memphis), it is based on the acclaimed 1997 documentary of the same name by S.R. Bindler, produced by KEVIN MORRIS and Bindler.

To enter, answer the following question in the comments section below by 12pm on Sunday 2/10. Remember to leave your email address so I can contact the winner!

Hunter Foster stars in the role of Benny Perkins. He recently made a cameo on an ABC Family show. What was the show and how is he connected to the star?

Good luck and please stop back for more contests in the coming weeks!


Website: http://www.handsonahardbody.com/

Facebook: https://www.facebook.com/HardbodyMusical

Twitter: https://twitter.com/HardbodyMusical

Instagram: http://instagram.com/hardbodymusical

YouTube: http://www.youtube.com/user/HardbodyMusical