Showing posts with label Les Miserables. Show all posts
Showing posts with label Les Miserables. Show all posts

Wednesday, December 26, 2012

The Good, the Bad, and the Miserables

To avoid ranting, I'll structure this review as a series of letters to the cast and creative team. Let's remember that British musicals are a marathon-not a sprint.

Tom Hooper:

First of all, let me get this out of the way, how dare you take way the beloved turntable! And I don't care what they did in the fourth National Tour! Les Miz without the turntable is like Phantom without the chandelier or Evita without the descamisados. Those panoramic shots were gorgeous, but the close ups were too much and too often. If I wanted to see Anne's pores that closely, I'd become a dermatologist. And kudos on moving "I Dreamed a Dream" to the emotional climax of Fantine's story. I'm not saying that this is your fault, but I just realized that there is nothing thought provoking at all in this story. I really prefer a show that has a controversial lead character or at least something that I can wrestle with for a few days. It is very easy to sympathize with all of these characters, so I left the theatre feeling, well, nothing. 

Hugh Jackman:

Your singing was glorious as we expected, but where was the change in your character? Sorry, but pacing back and forth during confession isn't going to do it for me. You phoned it in dear, and as this was not a Jerry Lewis telethon, I wasn't amused. 

Anne Hathaway:

I have so many feelings about this performance. You aren't Patti LuPone so you had those odds stacked against you from jump street. However, you did everything in your power to change my mind. Normally for me, Fantine IS the song. Fantine is "I Dreamed A Dream" and that's it. But you dear, you made her into a fully developed character with a full arc. Brava! I won't comment on your method acting but you'll have Hollywood in the palm of your hand after cutting your hair and dropping those 25 lbs. Congratulations ahead of time on your Oscar. The most interesting thing about your portrayal was that it felt so modern. Your Fantine was so relatable outside of the context of the story. Brava again for that. I can't say I agree with those who say your performance was raw because of all that overacting. My final word is this. Thank goodness that scenery was digitally enhanced since you chewed it up.

Russell Crowe:

Thanks so much for ruining Stars for me, but then again it's not your faul that they cast a non-singer in one of the greatest baritone roles in the musical theatre. I wish your Javert had committed suicide earlier and your only redeeming quality was giving your medal to Gavroche.

Eddie Redmayne:

Thank you so much for taking a stock character and making something beautiful out of it. Usually Marius shows up, falls in love, nearly dies, gets married, and that's about it. But you did so much more. I genuinely felt your inner-struggle as you were pulled from Eponine to Cosette and from your love to your friends and the cause. I have never given Empty Chairs at Empty Tables a second thought until your stirring rendition. This is the one moment where I enjoyed Tom Hooper's gratuitous use of the close-up. That song was the best I've seen in a movie musical since Julie Andrews twirled on a hilltop in The Sound of Music. Bravo dear, you are a bonafide star!

Amanda Seyfried:

You were given a role with no depth whatsoever and you did the best you could have done. Your singing was crystal clear and it was refreshing to hear a proper vibrato. I can imagine how boring it must have been to play that role while your costars were singing showstoppers and it made me wonder why I ever dreamed of playing that role.

Samantha Barks:

You, my dear, were perfection. I chose A Little Fall of Rain for the cover photo of this because that scene was the gem of the production. That was my favorite moment of the film. I always leave this show saying "Poor Eponine" because she is such a sympathetic character, but you worked girl. On My Own is such an easy song to over-sing and we've all heard it 10,000 times so it could've easily seemed trite. However, you put your own, fresh touches on it and really developed the character. You didn't over-act it and you didn't phone it in either. It was just right.

Aaron Tveit:

You may have been a jerk at every stage door on Broadway, but I loved you and your wig in this movie. Ramin Karimloo was the only Enjolras I've ever paid attention to and you, my friend, just became number two. Your Red & Black was inspirational and you're unbridled will to fight was a perfect foil to your trepidatious friend Marius.

In short, if you are a fan of the show or you think you might become a fan, go see the movie, but take a few snacks because it's an epic. 

Wednesday, September 8, 2010

Bring Broadway Home

How many times have you left a Broadway show wishing you could see it again in your living room? Well in some cases you can. Many Broadway productions and concert versions of shows are actually filmed and released commercially for purchase. Keep in mind that these are not movie musicals, they are filmed versions of live theatre. They can generally be found at book stores like Borders or Barnes & Noble or on Amazon. The following are the videos that I know of, please feel free to let me know if I've missed any.

  • Candide (concert)
  • Company
  • Follies (concert)
  • Fosse
  • Into the Woods
  • Les Miserables
  • Oklahoma
  • Passion (concert)
  • RENT (final Broadway performance)
  • Sunday in the Park with George
  • Sweeney Todd (1982 staged production)
  • Sweeney Todd (2001 concert)

Tuesday, August 3, 2010

Weekly Poll Results

Based on your votes last week, the winner for best male role in the musical theatre is a tie. Benjamin Barker/Sweeney Todd in Sweeney Todd and Bobby in Company each received 38% of the vote; both are roles in Stephen Sondheim shows. Coincidence? I think not. The leading men in the big British imports fell next in line with Jean Valjean in Les Miserables receiving 27% and the Phantom in The Phantom of the Opera receiving 22%. The Music Man's Harold Hill came next at 16% followed by Peter Allen in The Boy From Oz with 11%, The King from The King and I with 5% and Billy from Billy Elliot, Emile de Becque from South Pacific and Claude from Hair tied for last with zero votes.

This week's poll will go up later this afternoon. All of you dancers out there will like this one...hint, hint.

Monday, August 2, 2010

Fun Fact of the Day: Long Running Broadway Musicals

While some great Broadway shows have had to close early due to finances, other shows have enjoyed very extensive Broadway runs. The following are the top ten longest running Broadway Shows.

*1. The Phantom of the Opera-opened January1988; currently running
*2. Cats-opened October1982; closed September 2000
**3. Les Miserables-opened March 1987; closed May 2003
***4. A Chorus Line-opened July 1975; closed April 1990
5. Oh! Calcutta! (revival)-opened September 1976; closed October 1989
6. Chicago (revival)-opened November 1996; currently running
7. Beauty and the Beast-opened April 1994; closed July 2007
8. The Lion King-opened November 1997; currently running
9. Rent-opened April 1996; closed September 2008
**10. Miss Saigon-opened April 1991; closed January 2001

Notable Facts:
*The two longest running musicals in Broadway history were both composed by Sir Andrew Lloyd Webber
**The 3rd and 10th longest running musicals were both written by Claude -Michel Schonberg and Alain Boublil
***Because the top 3 longest running musicals are "British Imports," having premiered on the West End before opening on Broadway, many theatre purists consider A Chorus Line to be the longest running "Broadway musical"

Friday, July 30, 2010

Barbie's Showtune of the Day #1: I Dreamed a Dream

Every day there seems to be a certain musical theatre song that gets stuck in my head so I'm planning to add a song of the day feature to my daily blogging. I will try to post a youtube link to the song when available. So without further ado, my pick of the day, Miss Patti LuPone singing "I Dreamed a Dream" from Les Miserables.