2011 US Figure Skating Championships: The Barbie Awards for Best Moments in Greensboro

I needed a way to summarize Nationals 2011 in my own way without doing a generic wrap up of each event. I thought of doing a top ten favorite moments post, but there were so many that were great for different reasons that I simply couldn't rank them. So, I decided that I would just talk about the things that were highlights for me and why they were so special. Therefore, I give you The Barbie Awards for the Best Moments in Greensboro.

Newcomer Award: Courtney Hicks
Courtney Hicks won the Jr Ladies event by a huge margin and with the highest score ever posted by a US Jr lady. If the pressure doesn't get to her, she will do a phenomenal job at the Jr Worlds this season on a spectacular team also composed of Agnes Zawadzki & Christina Gao. What was spectacular about Courtney wasn't her win though, it was her ability and her talent. She truly reminds me of Sasha Cohen, not just because they share a coach, a dress, and a music selection, but because of her lines and technique. If she can find the consistency that Sasha lacked, she'll go very far. Check out her tw-hicks spin if you get the chance, I can't even describe it, but she is basically a spinning pretzel.

Debut Award: Mary Beth Marley
We've been hearing all season about the new partnership of Marley & Brubaker but we didn't get a chance to see them and boy was I surprised, pleasantly so. They haven't completely gelled as a pair yet-their jumps and spins aren't in perfect unison-but the progress they've made in 5 months is outstanding. Mary Beth showed so much determination in landing those throws and holding her positions in the lifts, especially after a fall in the free skate on some basic crossovers. She definitely has a fighting spirit and a willingness to learn which was great to see. They have so much promise if they can just stay together and stay healthy. The 2011 Grand Prix season will give them the chance to compete against the World's best and see how they stack up.

Emotionally Stirring Performance Award: Yankowskas & Coughlin
It's no surprise that I found John and Caitilin's free skate to Ave Maria to be the emotional performance of Nationals this year. Yes skating is a sport, but it is also about performing, and the performances are always more captivating when they portray real human emotion. Marina Zoueva's choreography perfectly conveyed what John was feeling after his mother's death and they translated it in such a way that it served as catharsis for John and also allowed he and Caitlin to connect with the audience in a very personal way. Aside from the mesmerizing performance, the program was very sound technically, aside from an awkward landing on a throw, and the judges awarded them, rightfully so, the gold medal. If they can deliver the two programs they performed at Nationals at Worlds, they'll do very well.

Watch out World Award: Maia & Alex Shibutani
I have been following this delightful brother and sister Ice Dance duo all season and they improve every time they step onto the ice. They have great natural ability and are very well matched, but I can also tell that they are very hard workers. They are both still teenagers and they have a very bright future as a team. They have the best coaches in the world, Marina Zoueva & Igor Shpilband, and at the rate they are going, they'll soon pass Davis & White.They may not have won a Junior World title, but if they can avoid injury and keep up their work ethic, they are sure to stand atop the senior World podium a few short years from now. Oh and did I mention that their short dance to The Carousel Waltz is the most heart-warming program of the season?

Selling the Performance Award: Madison Chock & Greg Zuerlein

Madison & Greg's free dance to Cabaret has been the program I've talked about all season, and being a musical theatre gal, this is no surprise. This team has never really done much for me until I caught them at Skate Canada and was blown away. They have toed the line between over the top and too conservative all season but I felt they really hit their stride in Greensboro. They gave all they had to the performance without getting out of control. I felt like I was watching a young Liza Minnelli & Joel Grey. Excuse my theatrical terminology, but Madison knows how to "chew the scenery" just like Ms. Minnelli. With the rise of the Shibutani siblings, It may be a pipe dream, but I would still love to see Madison & Greg win a world championship someday because I appreciate their commitment to performance. 

Kick It And Stick It Award: Rachael Flatt

I am a Rachael fan and have really felt for her as she experienced the ups and downs of the season. She put us some great performances on the Grand Prix to win two silvers, but never had enough in the tank to win gold. An injury led to a disappointing Grand Prix Final and the scores her programs received this season seemed they would keep her off of the World Team. But then Lori Nichol stepped in, as she often does, with a brilliant piece of choreography that, in my opinion, saved Rachael's season. Before Rachael took the ice for her new East of Eden short program in Greensboro, I tweeted that I was going to lend Rachael my signature catchphrase "Kick It & Stick It." But what she did on the ice surprised us all. She actually did the "stick it" part first as she landed 4 clean jumps, in true Rachael fashion. But what nobody expected was when the "kick it" part came in as she lit up the arena with an explosive step sequence that showed passion that we have never seen from her, ever. Unfortunately she didn't completely kick it or stick it in the free skate, but she did enough to go onto Four Continents and Worlds, where I will again lend her my signature phrase. 

Comeback Kid Award: Alissa Czisny

Alissa is on the short list of most talked about skaters in the world this year, and who expected that? Well according to Alissa, her success has come from having coaches that truly believe in her, so Yuka Sato & Jason Dungjen have had faith all along that this would be her season. What I love about Alissa is that she demonstrates that grace, artistry, and belief in yourself can often get you further than triple-triple combinations. She has also shown the world that great figure skating careers don't have to end at age 17. After a tumultuous history at Nationals it was great to see her win a second title, this time with two clean performances and no controversy surrounding the win. Her performances in Greensboro were like a breath of fresh air and this was the first time I could really enjoy watching her skate without fearing that she would fall. After a very solid season and two major titles, Grand Prix Final & US Nationals, dare I say she has broken shaken the label of "the pretty skater who can't land her jumps?" Well I was one of those naysayers and she has certainly changed my mind this season, so with a strong showing at Four Continents, she may just establish herself about one to beat at Worlds.

Showmanship Award: Ryan Bradley

Ryan Bradley has always been known as a showman, and unfortunately, as the skater who finishes just off of the podium. He planned to retire after the heartbreak of missing the 2010 Vancouver team but due to popular demand, he returned to Nationals. With a new mindset, please the audience and enjoy himself, Ryan was freer than I've ever seen him and he delivered a short program that was sheer entertainment for the audience, but also a points magnet that landed him in first place. I cannot recall any other program in recent memory, aside from Davis & White's Baliwood, that was this entertaining while still gathering a huge sum of points from the judges.

Fighting Spirit Award: Adam Rippon

Adam's shaky performance in the short program, complete with a fall on the Rippon lutz, was the heartbreak of Nationals for me. I wanted so badly for him to win this one and I'm still in shock that he will not be competing at Worlds after a 5th place finish last season. After the disappointment of the short, I wanted so badly for him to come back with a strong free, and aside from a shaky first jump, he did just that. When Adam is "on" his skating is a thing of such beauty and last night he was "on". I think he knew that even a perfect free skate wouldn't put him on the podium, but the joy on his face after he finished a near perfect program was simply infectious. A lesser person would have given up after being favored to win and landing in 9th place after the short. Adam proved in the free that he has what it takes to be a winner if he can work on his focus and his mental toughness.

The Barbie Award for Acting a Song: Miss Bernadette Peters

Need I gush anymore about my idol Bernadette Peters? Yes, I think I must. I have always been a fan of Miss Peters' work, but it was not until I began to study classical vocal technique and my teacher pointed me toward Sunday in the Park with George as an example of acting a song that I began to truly respect her as an artist. Her portrayal of Dot/Marie in that show was unparalleled, and she was robbed of the Tony that year in my opinion. Those who have heard her in concert or on solo recordings know that she has a stellar voice, but what I admire about her the most is her ability to sacrifice vocal perfection for the sake of acting and character accuracy.

I had the pleasure of seeing her for the first time on Broadway this week in A Little Night Music (my formal review will come later) and from the moment she first stepped onto the Walter Kerr stage in the opening waltz, I felt tears stream down my face. Now maybe this was because I was a little starstruck and a bit enamored, but goodness does this lady have the ability to grip an audience. Now being a singer myself, I've idolized Bernadette for her vocal abilities, but interestingly enough,  I never once thought of her as a "singer" in this performance, but rather as an "actress." She only sings 1 and a 1/2 songs in the show, but even in those moments, the lyrics are about her character, Desiree Armfeldt, and not about notes or phrases. Her range is incredible, from sarcastic and funny, to terribly heartbreaking. Her Send In the Clowns is simply the best I have ever heard and not because of her voice, but because of her interpretation of Stephen Sondheim's lyrics. The pain felt by her character was so raw and on the surface and was evident in the raspy, shaky quality of her voice. Vocally pristine? No. True to the character? Absolutely. I have always loved the song for its lyrical and musical qualities, but I never truly understood the weight of it until I heard it from the mouth of this indelible songstress. I have never in my life cried so many real tears at a performance. This lovely evening of theatre is one that I will have to force myself not to see again, because as much as I would love to experience it again, I never want anything to cloud the memory of my first time. Thank you Bernadette Peters for restoring my faith and respect for the American musical theatre.

The Barbie Award for Working Hard For The Money: Miss Sutton Foster

I decided that In addition to Breaking Broadway News, Fun Facts, and Showtunes of the Day (which I plan to keep up with daily now that my life has calmed down) I'm going to start giving out my own version of the Tony Award, which I'll obviously call the Barbie Award. Unlike the Tony Awards which are given out one glorious day a year, the Barbie Award can be given to any performer or person involved with the theatre on any given day for any given reason.

So I'm going to give out my first award, The Barbie Award for Working Hard for the Money, to the busiest lady on the boards these days.

Ever since her Peggy Sawyer-esque moment of breaking out of the chorus to become the star in Thoroughly Modern Millie, Sutton Foster has become Broadway's Sweetheart. Since then she has played featured or leading roles in shows such as Little Women, The Drowsy Chaperone, Young Frankenstein and Shrek. She has also release a solo album entitled Wish.

She has been a busy gal since her jump into the spotlight in 2002, but nothing compares to this year. She is currently starring in the Off-Broadway play Trust at Second Stage and it was announced a few weeks ago that she will take on another starring role as Reno Sweeney in Roundabout Theatre Company's production of Anything Goes which lands on Broadway in Spring 2011. Throughout the fall and winter of this year and into 2011 Sutton will be performing across the country in her solo concert series. In addition, she recently performed in an Actor's Fund benefit show of They're Playing Our Song with Seth Rudetsky. And as if she is not busy enough, she is actually scheduled to perform in readings of two upcoming shows. The first is the new musical Bonnie & Clyde co-starring Will Swenson of Hair fame with a score by Rick Crom and a book by her very own brother, Hunter Foster. The second reading she plans to participate in is Nice Work If You Can Get It, a Gershwin review of sorts co-starring Matthew Broderick.

Well, I'm tired just writing all of that so I can only image how Miss Foster must feel! Get some Red Bull girl and keep that energy up...we would love to see some more Broadway hits in your future. And even though the Barbie Award is a huge honor, I'd love for you to win another Tony as well.