Showing posts with label TONY awards. Show all posts
Showing posts with label TONY awards. Show all posts

Sunday, June 11, 2017

2017 TONY Awards Live Blog

11:13 Patti's is the last face I want to see on the TONYs
11:11 I love that shoutout to Peter Marks!
11:09 Best Musical: Dear Evan Hansen
11:07 Frank Underwood hands Lin the envelope
11:04 Bette clocked in a 15 minutes
11:00 Best Actress in a Musical: Bette Midler
10:59 I just DIED when Glenn Close had to announce Patti's name
10:55 Best Actor in a Musical: Ben Platt
10:51 These TONYS are disappointing me; a general lack of energy
10:44 Best Revival of a Musical: Hello Dolly
10:40 Colbert says more political jokes that aren't clever at all
10:28 I almost left Oslo at intermission but then Michael Aronov showed up and I couldn't get enough
10:27 Best Play: Oslo
10:26 The snack bit is the only entertaining thing Kevin Spacey has done yet
10:15 Josh, get your accordion!
10:11 Best Revival of a Play: Jitney
10:10 Are the TONYs allowed to make fun of Hilary?
10:05 Lynn Nottage's glasses look like them came off of a Boyds Bear
10:04 If Patti and Christine don't tie, I quit
9:57 Patti's hat looks like Abu from Aladdin and Christine is sooooo statuesque
9:53 Best Direction of a Musical: Christopher Ashley, Come From Away
9:50 Taichman looks legitimately shocked...I like when that happens
9:37 Best Featured Actress in a Play: Rachel Bay Jones
9:33 Best Actress in a Play: Laurie Metcalf
9:27 Tommy Tune is just a real, old-fashioned theatre kween
9:19 I don't understand why Groundhog Day needed to be a musical
9:18 I don't understand how Kevin Kline beat Jefferson Mays
9:15 You know Patti died when Kevin mentioned John Housman
9:10 Poor Lucas Hnath lost his hairbrush
9:00 It's convenient when you get to perform after you win best score
8:59 I think Dear Evan Hansen is more mainstream but Great Comet was much more complex
8:58 Best Score: Dear Evan Hansen
8:57 I always forget Cynthia Erivo is British
8:54 Still thinking about that 80s jumpsuit realness
8:48 I love a good 80s jazzercise number
8:46 Cynthia Nixon is a true artist and a true theatre professional
8:45 Best Featured Actress in a Play: Cynthia Nixon
8:44 We need more arts teachers!
8:42 I kind of love how the playwrights are speaking about their work
8:41 I LOVE that all the nominated playwrights are 1st timers
8:35 How is this Miss Saigon selection going to sell tickets?
8:31 Yasssssssss Lea's fancy pantsuit
8:30 Gavin looks so fancy and I'm so happy he mentioned his education
8:29 Best Featured Actor in a Musical: Gavin Creel
8:28 Good lord Sutton is tall
8:27 Kevin looks like a neon blue smurf jacket
8:26 Catherine Zuber should've won best costumes for War Paint
8:23 Come From Away is beautifully uplifting
8:16 This is what a TONY speech should be about, your family and your art, not a guy in Washington DC
8:14 Best Featured Actor in Play: Michael Aronov, Oslo
8:10 Is this opening number over yet? I HATE IT!
8:08 Okay I will admit I did like the "Welcome to the Rock" segment, it was clever
8:07 I hate this opening number SO MUCH
8:06 Is this Natasha, Pierre, or Fiddler?
8:05 Colbert appears in a groundhog head, is he still a thing?
8:03 And we are going into a sendup of Groundhog Day with a clever repositioning of a cast
8:00 Kevin Spacey opens with an Evan Hansen spoof about not being the first choice to host 

Thursday, June 5, 2014

2014 TONY Awards Predictions

I will preface this post by saying that these picks do not represent my personal feelings on who SHOULD win, but rather my predictions for who I believe will actually win the Antoinette Perry on Sunday night. I will be live tweeting the Red Carpet & the Awards on Sunday so follow along @barbiebackstage!

Best Play (Prediction: All The Way)
Act One
Author:  James Lapine
 All The Way
Author:  Robert Schenkkan
 Casa Valentina
Author:  Harvey Fierstein
Mothers and Sons
Author:  Terrence McNally
Outside Mullingar
Author:  John Patrick Shanley

Best Musical (Prediction: A Gentleman's Guide to Love & Murder)
After Midnight
Aladdin
Beautiful - The Carole King Musical
A Gentleman's Guide to Love & Murder

Best Revival of a Play (Prediction: Twelfth Night)
 The Cripple of Inishmaan
The Glass Menagerie
A Raisin in the Sun
Twelfth Night

Best Revival of a Musical (Prediction: Hedwig and the Angry Inch)
Hedwig and the Angry Inch
Les Misérables
Violet

Best Book of a Musical (Prediction: Robert L. Freedman, A Gentleman's Guide to Love & Murder)
Aladdin
Chad Beguelin
Beautiful - The Carole King Musical
Douglas McGrath
Bullets Over Broadway
Woody Allen
A Gentleman's Guide to Love & Murder
Robert L. Freedman
Best Original Score (Music and/or Lyrics) Written for the Theatre (Prediction: Jason Robert Brown, The Bridges of Madison County)
Aladdin
Music: Alan Menken
Lyrics: Howard Ashman, Tim Rice and Chad Beguelin
The Bridges of Madison County
Music & Lyrics: Jason Robert Brown
A Gentleman's Guide to Love & Murder
Music: Steven Lutvak
Lyrics: Robert L. Freedman & Steven Lutvak
If/Then
Music: Tom Kitt
Lyrics: Brian Yorkey

Best Performance by an Actor in a Leading Role in a Play (Prediction: Bryan Cranston, All The Way)
Samuel Barnett, Twelfth Night
Bryan Cranston, All The Way
Chris O'Dowd, Of Mice and Men
Mark Rylance, Richard III
Tony Shalhoub, Act One

Best Performance by an Actress in a Leading Role in a Play (Prediction: Audra McDonald, Lady Day at Emerson's Bar & Grill)
Tyne Daly, Mothers and Sons
LaTanya Richardson Jackson, A Raisin in the Sun
Cherry Jones, The Glass Menagerie
Audra McDonald, Lady Day at Emerson's Bar & Grill
Estelle Parsons, The Velocity of Autumn

Best Performance by an Actor in a Leading Role in a Musical (Prediction: Jefferson Mays, A Gentleman's Guide to Love & Murder
Neil Patrick Harris, Hedwig and the Angry Inch
Ramin Karimloo, Les Misérables
Andy Karl, Rocky
Jefferson Mays, A Gentleman's Guide to Love & Murder
Bryce Pinkham, A Gentleman's Guide to Love & Murder

Best Performance by an Actress in a Leading Role in a Musical (Prediction: Jessie Mueller, Beautiful)
Mary Bridget Davies, A Night with Janis Joplin
Sutton Foster, Violet
Idina Menzel, If/Then
Jessie Mueller, Beautiful - The Carole King Musical
Kelli O'Hara, The Bridges of Madison County

Best Performance by an Actor in a Featured Role in a Play (Prediction: Mark Rylance, Twelfth Night)
Reed Birney, Casa Valentina
Paul Chahidi, Twelfth Night
Stephen Fry, Twelfth Night
Mark Rylance, Twelfth Night
Brian J. Smith, The Glass Menagerie

Best Performance by an Actress in a Featured Role in a Play (Prediction: Celia Keenan-Bolger, A Raisin in the Sun
Sarah Greene, The Cripple of Inishmaan
Celia Keenan-Bolger, The Glass Menagerie
Sophie Okonedo, A Raisin in the Sun
Anika Noni Rose, A Raisin in the Sun
Mare Winningham, Casa Valentina

Best Performance by an Actor in a Featured Role in a Musical (Prediction: James Monroe Iglehart, Aladdin)
Danny Burstein, Cabaret
Nick Cordero, Bullets Over Broadway
Joshua Henry, Violet
James Monroe Iglehart, Aladdin
Jarrod Spector, Beautiful - The Carole King Musical

Best Performance by an Actress in a Featured Role in a Musical (Prediction: Lena Hall, Hedwig and the Angry Inch)
Linda Emond, Cabaret
Lena Hall, Hedwig and the Angry Inch
Anika Larsen, Beautiful - The Carole King Musical
Adriane Lenox, After Midnight
Lauren Worsham, A Gentleman's Guide to Love & Murder

Best Scenic Design of a Play (Prediction: Beowulf Boritt, Act One
Beowulf Boritt, Act One
Bob Crowley, The Glass Menagerie
Es Devlin, Machinal
Christopher Oram, The Cripple of Inishmaan

Best Scenic Design of a Musical (Prediction: Christopher Barreca, Rocky)
Christopher Barreca, Rocky
Julian Crouch, Hedwig and the Angry Inch
Alexander Dodge, A Gentleman's Guide to Love & Murder
Santo Loquasto, Bullets Over Broadway

Best Costume Design of a Play (Prediction: Jenny Tiramani, Twelfth Night)
Jane Greenwood, Act One
Michael Krass, Machinal
Rita Ryack, Casa Valentina
Jenny Tiramani, Twelfth Night

Best Costume Design of a Musical (Prediction: William Ivey Long, Bullets Over Broadway)
Linda Cho, A Gentleman's Guide to Love & Murder
William Ivey Long, Bullets Over Broadway
Arianne Phillips, Hedwig and the Angry Inch
Isabel Toledo, After Midnight

Best Lighting Design of a Play (Prediction: Jane Cox, Machinal)
Paule Constable, The Cripple of Inishmaan
Jane Cox, Machinal
Natasha Katz, The Glass Menagerie
Japhy Weideman, Of Mice and Men

Best Lighting Design of a Musical (Prediction: Christopher Akerlind, Rocky)
Kevin Adams, Hedwig and the Angry Inch
Christopher Akerlind, Rocky
Howell Binkley, After Midnight
Donald Holder, The Bridges of Madison County

Best Sound Design of a Play (Prediction: Matt Tierney, Machinal)
Alex Baranowski, The Cripple of Inishmaan
Steve Canyon Kennedy, Lady Day at Emerson's Bar & Grill
Dan Moses Schreier, Act One
Matt Tierney, Machinal

Best Sound Design of a Musical (Prediction: Brian Ronan, Beautiful
Peter Hylenski, After Midnight
Tim O'Heir, Hedwig and the Angry Inch
Mick Potter, Les Misérables
Brian Ronan, Beautiful - The Carole King Musical

Best Direction of a Play (Prediction: Tim Carroll, Twelfth Night
Tim Carroll, Twelfth Night
Michael Grandage, The Cripple of Inishmaan
Kenny Leon, A Raisin in the Sun
John Tiffany, The Glass Menagerie

Best Direction of a Musical (Predition: Darko Tresnjak, A Gentleman's Guide to Love & Murder)
Warren Carlyle, After Midnight
Michael Mayer, Hedwig and the Angry Inch
Leigh Silverman, Violet
Darko Tresnjak, A Gentleman's Guide to Love & Murder

Best Choreography (Prediction: Warren Carlyle, After Midnight)
Warren Carlyle, After Midnight
Steven Hoggett & Kelly Devine, Rocky
Casey Nicholaw, Aladdin
Susan Stroman, Bullets Over Broadway

Best Orchestrations (Prediction: Jason Robert Brown, The Bridges of Madison County
Doug Besterman, Bullets Over Broadway
Jason Robert Brown, The Bridges of Madison County
Steve Sidwell, Beautiful - The Carole King Musical
Jonathan Tunick, A Gentleman's Guide to Love & Murder


Sunday, June 9, 2013

2013 TONY Awards Live Blog!

2013 TONY Awards-Here We Go!!

11:07 That's it for me...Peace Out Broadway. It's been real!
11:02 Kinky Boots wins!!! Yes!
11:01 My idol of all idols Bernadette Peters!
10:59 Kinky Boots Kinky Boots Kinky Boots Kinky Boots...please win best play!
10:54 Pippin wins!! Announced by Patti
10:53 Best Revival of a Musical...I go with Pippin!
10:41 Donna and the Dynamos introducing Kinky Boots
10:38 Best Actress in a Musical goes to Patina Miller!! Yes!
10:38 Best Actress in a Musical...I predict Patina Miller
10:33 The Tony goes to Ms. Tyson who is wearing a lot of ruffles
10:33 Jake Gyllenhaal is announcing Best Actress in a Play...I'm predicting Ms. Tyson
10:31 Velma Kelly is here to announce best lighting design of a musical for Matilda
10:23 Matthew Morrison to introduce Cyndi Lauper's In Memoriam performance of "True Colors"
10:21 Tony goes to Tracy Letts...that's a surprise but how exciting! Letts is so well spoken, what an eloquent speech.
10:21 Actor in a Musical...It's gonna be Tom Hanks
10:19 Billy Porter is fabulous and a Pittsburgher!!!!!
10:18 The Tony goes to Billy Porter! Yes!
10:17 Sally Field & Matthew Broderick presenting best actor in a musical...come on Billy Porter!
10:16 This Phantom of the Opera looks like it could have some potential
10:13 Who doesn't love Phantom...great to see it on the TONYs to commemorate it's 25-year milestone
10:11 We bow to you Hal Prince! If there is a true legend in the theatre...it is you Hal Prince.
10:10 Annie & Daddy Warbucks are announcing Dennis Kelly's win for Best Book
10:04 Tony goes to Who's Afraid of Virginia Woolf?
10:03 I'm picking Virginia Woolf
10:02 Screw you Bloomberg, nobody likes you but we love Sigourney Weaver...announcing the Best Revival of a Play
9:59 Great number to choose..we love Patina's small hat. Char is divine and so is new Tony winner Andrea.
9:58 Pippin performing in front of the curtain while the circus sets up....Patina is about to werk!!
9:57 Simba and Mufasa introduce Pippin!
9:56 NPH is texting or tweeting or something...and David Hyde Pierce just busted it up (that's a throwback to his rant in Vanya)
9:50 I really hope A Christmas Story comes back...so fun! This little kid who taps is out of this world!
9:47 NPH and Sandy introduce A Christmas Story
9:43 Best Play goes to Vanya and Sonia and Masha and Spike! So deserving...fantastic play!
9:40 Jesse Eisenberg announcing the plays in a complete and utter monotone...The Assembled Parties, Lucky Guy, The Testament of Mary, Vanya and Sonia and Masha and Spike
9:39 Live-Blogging is hard work! I must stay hydrated!
9:37 What was that mess with The rascals?
9:30 Tony goes to Andrea Martin! Duh!
9:29 Cuba Gooding Jr and Anna Kendrick presenting Best Featured Actress in a Musical...I picked Andrea Martin
9:28 Dear Lord I hope they do something for Marvin Hamlisch
9:24 Andrew Rannells w/ NPH talking about TV Shows (set to America) and Megan Hilty (Gotta Get a Gimmick) and Laura Benanti (Ladies Who Lunch) and "What I Did For Love"
9:23 We have our Newsies here to announce best Choreography...it goes to Jerry Mitchell!
9:14 Spiderman (all 12 of them) to announce Annie..of course It's A Hard Knock Life. If I ever hear this song again it will be too soon
9:12 Cyndi! I see your true colors girl! Thank you for mentioning how hard this city works.
9:11 Best Score..Cyndi Lauper!
9:10 Best Score...I picked Cyndi Lauper (Kinky Boots)
9:10 Jesse Tyler Ferguson and Jane Krakowski announcing Stephen Oremus' win for Orchestrations
9:03 This little Michael Jackson...WOW! This is the year of kids on Broadway!
9:02 I want to go dance in the streets at Motown!
9:00 Great job pulling in Audra
8:59 The guys from Jersey Boys here to announce Motown...that's a great connection.
8:56 Best Direction of a Play...I picked Pam McKinnon (Virginia Woolf) and she wins!
8:54 The Tony Award goes to Diane Paulus (Pippin). Go Diane!
8:53 Jon Cryer and Martha Plimpton to announce the award for Best Direction of a Musical...I picked Diane Paulus, obviously
8:51 Oliver Platt and Liam Nieson here to blow sunshine up the ass of the American Theater Wing
8:50 Guy and Girl from Once are here to reiterate the Sound Design winners
8:46 I'm hooked...that performance made me NEED to see Cinderella!
8:45 I have to see this magical Cinderella!
8:43 Oh no, Laura Osnes almost tripped getting into the carriage!
8:41 Laura Osnes is the ingenue of our time, singing In My Own Little Corner
8:40 Lonny & Dennis (Rock of Ages) announcing the performance from Cinderella
8:39 The Tony goes to Gabriel Ebert (Matilda)
8:39 Now we have "The Snubs" (Alan Cumming & ScarJo) presenting Best Featured Actor in a Musical...I predict Terrence Mann (Pippin)
8:38 NPH joke about Mike Tyson giving the Matildas face tattoos
8:36 Now we have Mufasa announcing the earlier presentations of Best Costume design to William Ivey Long (Cinderella) and Ann Roth (The Nance)
8:33 I don't care that it already closed...that performance made me never want to see Bring It On
8:26 Velma Kelley is here to introduce the cast of Bring It On: The Musical
8:24 The Tony goes to...Judith Light (The Assembled Parties)
8:24 Tom Hanks is presenting "Best Featured Actress in a Play...I predict Judith Ivey (The Heiress)
8:23 Get it Tom Hanks! You are really embracing the whole Broadway community.
8:21 Cute little segment called "playsicles" that sounds like it came from twitter!
8:15 This "Miss Honey" woman is not sucking me in; I do love those scooters though. I'm a sucker for anything with wheels
8:12 These little Matilda kids are precious, this choreography is very Spring Awakening-esque
8:11 We've got Newsies here to introduce a performance from Matilda
8:09 The Tony goes to.....Courtney B. Vance (Lucky Guy)
8:08 Audra McDonald and Zachary Quinto walk up to "Summertime" to present Best Featured Actor in a Play. I predict Danny Burstein (Golden Boy).
8:07 That opening number was overwhelming!
8:06 Great shoutout to the kids at home and a nice little kick line with a bajillion performers from about every Broadway show!
8:05 Pippin reference and NHP disappears! How did he get to the back of the orchestra so fast and with all those Newsies in tow? Great reference to the "Tom Hooper Les Miz closeups!"
8:03 We've got our itty bitty kids from Matilda, Christmas Story, and Annie!
8:03 Barry Gordy banging Diana ross joke, Pippin acrobats with those super hot tumbling guys, Bring It On bit with NPH going up in a prep, Mike Tyson
8:03 Ok, the main them eis coming back to Radio City and making the show "bigger". We have girls in red dresses, guys in tuxes. We have kinky boots girls and a joke about "Billy Porter's ass".
8:02 "I'm Neil, I wouldn't be here if somebody hadn't passed on hosting" -Shia LeBouf joke!
8:01  Neil as "Guy" from Once opens the show
8:00 Here we go....opening number is on deck!
7:52 I am 2/2 in my Tony predictions with William Ivey Long (Costumes, Cinderella) and Stephen Oremus (Orchestrations, Kinky Boots)
7:38 Wait, why are we watching all these bitchy Queen writers and not the Creative Arts Awards?
7:29 It certainly has been a wild season of drag queens, dogs, and children
7:28 Why did it take so long to nominated Stephanie J Block for a Tony? That's been a long time coming, that's for sure!
7:27 Santino, Laura, SJB, Andrew Rannels, and a social media correspondent...what a combination there
7:26 Annaleigh looks like an Academy Award!
7:25 Cicely....what on earth are you wearing?
7:24 So far on the red carpet I've been most impressed by Laura Osnes and Victoria Clark....no surprise here
7:22 Come on New York 1...I want to see Annaleigh and Stephanie J Block!
7:19 Cyndi you are looking all kinds of crazy, but I loved your show and your music
7:17 Alright we are less than 45 minutes out...this is very exciting!
7:14 I love this little spotlight on #SIP. We did that in a show that I just did!
7:11 I died for that nude gown Laura Osnes tried on...she would've looked phenomenal in that one
7:10 I'm so glad that metallics and bling are in for this season's awards
7:08 Now we are getting a little piece on the nominees looking for Tony gowns
7:07 I watched the Tonys in Times Square once...it was so fun to be with all of the theatre queens
7:07 Bernadette Peters is here? I need to see her stat!
7:03 I just voted in the first "snap poll" for Kinky Boots to win best musical!
7:01 Roma, you are a serious fan girl dear
7:00 Got it...Matthew Morrison is presenting "In Memoriam" today, I'm excited to listen to his new album
6:58 Matthew Morrison, why are you here dear?
6:56 I didn't realize how tall Laura Osnes is...she's practically the same height as Santino
6:54 Mike Tyson actually sounds like a normal person...amazing
6:53 Oh Sweet Mother...here is Mike Tyson, face tat and all
6:48 Kristine Nielson is the person I'm pulling for the most of any acting nominee
6:47 Kristine Nielson=Durang's muse; I can totally see that
6:46 Victoria Clark is a true Broadway lady...her red carpet gown was designed by Cinderella's costume designer
6:45 We die for Victoria Clark...she is flawless in everything she does!
6:44 I see Jane Krakowski mingling with Rita Wilson
6:42 My best friend suspected that "Say Yeah" in Kinky Boots was inspired by "OK Go" and she was right!
6:40 I die for Jerry Mitchell's red jacket!
6:38 We have our Motown people here...I bet they are instrumental in the opening number!
6:33 I need to go see Lucky Guy pronto
6:29 Tom Hanks is about as big as star as you can find...last night they shut down 44th street when he was coming out of the stage door
6:28 Is anybody more beautiful than Laura Osnes?
6:22 Oh yay, who doesn't love a Newsie?
6:21 Nice little segment from Times Square with Black Stache and Smee
6:16 Judith Light in Zac Posen...divine
6:11 Shalita Grant (Vanya, Sonya, Masha, and Spike) whom we loved and Will Chase (The Mystery of Edwin Drood) who is such a cutie
6:10 Diane Paulus is singing the praises of Andrea Martin & Patina Miller, which we all agree with!
6:08 It's no secret that we all bow to Diane Paulus, she completely re-imagined a piece that my generation has never seen on Broadway
6:06 Carolee Carmello...I heard she was dynamite, it's so Scandalous closed 2 days before we got to see it
6:04 Rob McClure was outstanding as Chaplin, however it's tough to win when your show closed so long ago
6:02 First star spotting: Danny Burstein and Rebecca Luker...we love them both, we can't wait to see her in "The Little Dancer" by Ahrens & Flaherty at The Kennedy Center

Friday, June 7, 2013

Ways to Watch the 2013 TONY Awards!

As always, I will be live blogging and tweeting the TONY awards at http://backstagebarbie.blogspot.com and https://twitter.com/barbiebackstage!

We’re very excited to announce that this year, The Tony Awards will be very family-oriented. We’ve created some special content to highlight all of the amazing kids on Broadway in a special section of TonyAwards.com called Totally Tonys!. There are stories, photos, puzzles, videos, educational resources and much more for you to sit down with your family and explore before watching the live broadcast on Sunday June 9th at 8/7c on CBS.

Follow the #TonyAwards on social media!

www.facebook.com/TheTonyAwards
www.twitter.com/TheTonyAwards
www.instagram.com/TheTonyAwards
www.youtube.com/OfficialTonyAwards
www.pinterest.com/TheTonyAwards
www.getglue.com/TheTonyAwards
www.itunes.com/TonyAwards





Monday, April 29, 2013

Watch the TONY Nominations LIVE!


Watch the 2013 TONY Nominations LIVE right here on Tuesday 4/30 at 8:30 am EST!





Launch the 2013 Tony Awards Live 
Video Console!



Info on the Webcast
The 2013 Tony Awards Nominations Announcement, Sponsored by IBM
Tuesday, April 30, 2013 8:30 a.m. ET
Hosted by Jesse Tyler Ferguson and Sutton Foster
Video courtesy NY1 News
More Information
For graphic materials to help you promote the Tony Awards and the syndicated
webcast, visit TonyAwards.com/presskit.
Contact Ben Pesner at BPesner@TonyAwards.com or (212) 703-0208 with
questions.
The 67
th Annual Tony Awards will be broadcast in a live three-hour ceremony
from Radio City Music Hall on the CBS television network on Sunday, June 9,
2013. For more information on the Tony Awards, please visit
www.TonyAwards.com.
#TonyAwards

Monday, April 30, 2012

2012 TONY Award Nominations: Predictions

Last year I was pretty darn close on my predictions so let's see how I do here. Kristin Chenoweth and Jim Parsons announce the nominees tomorrow (5/1) at 8:30 am.

Best Play:
1) Clybourne Park
2) Other Desert Cities
3) Peter and the Starcatcher
4) Stick Fly


Best Musical:
1) Bonnie & Clyde 
2) Leap of Faith
3) Newsies
4) Nice Work If You Can Get It


Best Revival of a Play:
1) Arthur Miller's Death of a Salesman
2) Private Lives
3) A Streetcar Named Desire
4) Wit


Best Revival of a Musical:
1) Evita
2) Follies
3) The Gershwins' Porgy and Bess
4) Jesus Christ Superstar 


Best Performance by a Leading Actor in a Play:
1) Hugh Dancy, Venus in Fur
2) Phillip Seymour Hoffman, Death of a Salesman
3) Frank Langella, Man and Boy
4) John Lithgow, The Columnist
5) Blair Underwood, A Streetcar Named Desire


Best Performance by a Leading Actress in a Play:
1) Nina Arianda, Venus in Fur
2) Tracie Bennett, End of the Rainbow
3) Tyne Daly, Master Class
4) Linda Lavin, The Lyons
5) Cynthia Nixon, Wit


Best Performance by a Leading Actor in a Musical:
1) Matthew Broderick, Nice Work If You Can Get It
2) Danny Burstein, Follies
3) Raul Esparza, Leap of Faith
4) Norm Lewis, Porgy and Bess
5) Ron Raines, Follies


Best Performance by a Leading Actress in a Musical:
1) Jan Maxwell, Follies
2) Audra McDonald, Porgy and Bess
3) Kelli O'Hara, Nice Work If You Can Get It
4) Bernadette Peters, Follies
5) Elena Roger, Evita

Monday, June 6, 2011

My 2011 TONY Predictions

We are approaching my favorite day of the year, the Tony awards! Next Sunday, June 12th, Broadway's finest will unite to award the best shows, performances, and designs of the 2010-2011 Broadway season. I've been anxiously awaiting the Tonys for months and I'll be live-blogging and tweeting from the time the red carpet coverage begins at 6pm on tonyawards.com until the time the live-broadcast on CBS ends. Join me all week right here and over on my twitter page @barbiebackstage for updates! For now, here are all of the nominees and my predictions for each category's winner.

Best PlayGood People Author: David Lindsay-Abaire, Jerusalem Author: Jez Butterworth, The Motherf**ker with the Hat Author: Stephen Adly Guirgis, War Horse Author: Nick Stafford

My Pick: War Horse by Nick Stafford-having won the Drama Desk & Outer Critics Circle Awards, this is a fairly safe prediction; it is also the 'biggest play' of the season in terms of design and spectacle

Best MusicalThe Book of Mormon, Catch Me If You Can, The Scottsboro Boys, Sister Act 

My Pick: The Book of Mormon-this show has swept the awards this season and has been loved by critics and audiences alike as a truly original musical, if it is not named "Best Musical" it will be the biggest upset in many seasons

Best Book of a Musical: Bloody Bloody Andrew Jackson Alex Timbers, The Book of Mormon Trey Parker, Robert Lopez and Matt Stone, The Scottsboro Boys David Thompson, Sister Act Cheri Steinkellner, Bill Steinkellner and Douglas Carter Beane 

My Pick: Trey Parker, Robert Lopez, and Matt Stone for The Book of Mormon-this new musical has been praised for its wit and dark humor at the hands of the team behind "South Park" and as any great book should do, it rises to meet the score and carries the actors to where they begin to sing

Best Original ScoreThe Book of Mormon Music & Lyrics: Trey Parker, Robert Lopez and Matt Stone,
The Scottsboro Boys Music & Lyrics: John Kander & Fred Ebb, Sister Act Music: Alan Menken
Lyrics: Glenn Slater, Women on the Verge of a Nervous Breakdown Music & Lyrics: David Yazbek

My Pick: Trey Parker, Robert Lopez, and Matt Stone for The Book of Mormon-again, no show has received such praise this season and while I'd like it to go to Women on the Verge, I think "Mormon" has it in the bag

Best Revival of a PlayArcadia, The Importance of Being Earnest, The Merchant of Venice, The Normal Heart 

My Pick: The Normal Heart-this revival was praised by critics and was touted by audience members as "deeply moving"

Best Revival of a MusicalAnything Goes, How to Succeed in Business Without Really Trying 

My Pick: Anything Goes-of only 2 revivals this season, this is far superior to How to Succeed 

Best Performance by an Actor in a Leading Role in a Play: Brian Bedford The Importance of Being Earnest, Bobby Cannavale The Motherf**ker with the Hat, Joe Mantello The Normal Heart, Al Pacino The Merchant of Venice, Mark Rylance Jerusalem 

My Pick: Mark Rylance for Jerusalem-this is a very tight category, probably the tightest of all in my opinion, and anyone could win but my gut is telling my Mark Rylance since he gave not one but two outstanding Broadway performances this season

Best Performance by an Actress in a Leading Role in a Play: Nina Arianda Born Yesterday, Frances McDormand Good People, Lily Rabe The Merchant of Venice, Vanessa Redgrave Driving Miss Daisy, Hannah Yelland Brief Encounter 

My Pick: Frances McDormand for Good People-Nina Arianda seems to be gaining a lot of momentum and could pull of a win on Sunday, but I'm still giving the edge to McDormand, the winner of this year's Drama Desk, and co-winner of the Outer Critics Circle along with Arianda

Best Performance by an Actor in a Leading Role in a Musical: Norbert Leo Butz Catch Me If You Can, Josh Gad The Book of Mormon, Joshua Henry The Scottsboro Boys, Andrew Rannells The Book of Mormon, Tony Sheldon Priscilla Queen of the Desert 

My Pick: Tony Sheldon for Priscilla Queen of the Desert-though he hasn't won any of the early awards this season, my money is still on Sheldon because let's face it, Broadway loves a good Queen in drag

Best Performance by an Actress in a Leading Role in a Musical: Sutton Foster Anything Goes, Beth Leavel Baby It's You, Patina Miller Sister Act, Donna Murphy The People in the Picture

My Pick: Sutton Foster for Anything Goes-before the reviews came out, everybody thought hands down that Patina Miller would win, but Sutton had the critics at hello and the fans followed; she has also won the Drama Desk & Outer Critics Circle this season and I can only suspect that Tony will choose her too

Best Performance by an Actor in a Featured Role in a Play: Mackenzie Crook Jerusalem, Billy Crudup Arcadia, John Benjamin Hickey The Normal Heart, Arian Moayed Bengal Tiger at the Baghdad Zoo, Yul Vázquez The Motherf**ker with the Hat 

My Pick: John Benjamin Hickey for The Normal Heart-I'm going out on a limb with this one and based on reviews, word of mouth, and my own gut feelings, I think Hickey will take it

Best Performance by an Actress in a Featured Role in a Play: Ellen Barkin The Normal Heart, Edie Falco The House of Blue Leaves, Judith Light Lombardi, Joanna Lumley La Bête, Elizabeth Rodriguez The Motherf**ker with the Hat 

My Pick: Ellen Barkin for The Normal Heart-again, I'm jumping on the Normal Heart bandwagon and I think Barkin will take this category; I loved Judith Light in Lombardi but because Light's show opened early in the season, I think the momentum is really in Barkin's favor at this point in the race

Best Performance by an Actor in a Featured Role in a Musical: Colman Domingo The Scottsboro Boys, Adam Godley Anything Goes, John Larroquette How to Succeed in Business Without Really Trying, Forrest McClendon The Scottsboro Boys, Rory O'Malley The Book of Mormon 

My Pick: Rory O'Malley for The Book of Mormon-I'm going to be slightly cynical here and suggest that the show that will probably win Best Book, Score & Musical will have to win at least one acting award and I think that O'Malley has the best shot

Best Performance by an Actress in a Featured Role in a Musical: Laura Benanti Women on the Verge of a Nervous Breakdown, Tammy Blanchard How to Succeed in Business Without Really Trying, Victoria Clark Sister Act, Nikki M. James The Book of Mormon, Patti LuPone Women on the Verge of a Nervous Breakdown 

My Pick: Laura Benanti for Women on the Verge of a Nervous Breakdown-if we look at the winner in this category last season, Katie Finneran for Promises, Promises, Laura Benanti seems a natural fit to take the award this year; she did exactly what the nominees in this category should do in taking a small role and making it the most memorable part of the show

Best Direction of a Play: Marianne Elliott and Tom Morris War Horse, Joel Grey & George C. Wolfe The Normal Heart, Anna D. Shapiro The Motherf**ker with the Hat, Daniel Sullivan The Merchant of Venice

My Pick: Marianne Elliott & Tom Morris for War Horse-again this is a tough category but I think War Horse has the momentum going into Tony night and in such a big technical piece as this, direction is key

Best Direction of a Musical: Rob Ashford How to Succeed in Business Without Really Trying, Kathleen Marshall Anything Goes, Casey Nicholaw and Trey Parker The Book of Mormon, Susan Stroman The Scottsboro Boys 

My Pick: Kathleen Marshall for Anything Goes-Nicholaw & Parker for The Book of Mormon are the easy choices here, but something tells me that Kathleen Marshall will pull this off and perhaps I think that because a grandiose musical such as Anything Goes has so many moving parts that it takes such attention to detail to really pull it off well and Kathleen Marshall has done just that

Best Choreography: Rob Ashford How to Succeed in Business Without Really Trying, Kathleen Marshall Anything Goes, Casey Nicholaw The Book of Mormon, Susan Stroman The Scottsboro Boys

My Pick: Kathleen Marshall for Anything Goes-directing and choreographing is such a tall order and when it is done so well as in this case, I think Kathleen Marshall will take the category

Best Orchestrations: Doug Besterman How to Succeed in Business Without Really Trying, Larry Hochman The Scottsboro Boys, Larry Hochman & Stephen Oremus The Book of Mormon, Marc Shaiman & Larry Blank Catch Me If You Can

My Pick: Larry Hochman & Stephen Oremus for The Book of Mormon-I was convinced Women on the Verge would be nominated in and win this category but since it's not, I'll have to go with the favorite, The Book of Mormon

Best Scenic Design of a Play: Todd Rosenthal The Motherf**ker with the Hat, Rae Smith War Horse, 
Ultz Jerusalem, Mark Wendland The Merchant of Venice 

My Pick: Rae Smith for War Horse-my conundrum here is whether or not to consider the horse/puppetry as part of the scenic design and if so, War Horse wins this hands down; if we are laving out the puppets, I'll have to go with Jerusalem

Best Scenic Design of a Musical: Beowulf Boritt The Scottsboro Boys, Derek McLane Anything Goes, Scott Pask The Book of Mormon, Donyale Werle Bloody Bloody Andrew Jackson 

My Pick: Derek McLane for Anything Goes-I think this will go the route of the 2008 revival of South Pacific and take all the design categories, its just my gut feeling, especially since none of the other musicals this season are nearly as "big" in terms of production value

Best Costume Design of a Play: Jess Goldstein The Merchant of Venice, Desmond Heeley The Importance of Being Earnest, Mark Thompson La Bête, Catherine Zuber Born Yesterday

My Pick: Desmond Heely for The Importance of Being Earnest-I tend to give the nod to period costumes in a category like this and visually I found these to be the most interesting

Best Costume Design of a Musical: Tim Chappel & Lizzy Gardiner Priscilla Queen of the Desert, Martin Pakledinaz Anything Goes, Ann Roth The Book of Mormon, Catherine Zuber How to Succeed in Business Without Really Trying

My Pick: Martin Pakledinaz for Anything Goes-though Priscilla is an easy choice, those costumes may be too over the top even for the Tony awards and here, Marin Pakledinaz' designs fit the period without looking dated, not to mention they allow the characters to sing and dance with easy and make them sparkle

Best Lighting Design of a Play: Paule Constable War Horse, David Lander Bengal Tiger at the Baghdad Zoo, Kenneth Posner The Merchant of Venice, Mimi Jordan Sherin Jerusalem 

My Pick: Paule Constable for War Horse-again, I'm giving the nod to the biggest technical piece of all the nominees

Best Lighting Design of a Musical: Ken Billington The Scottsboro Boys, Howell Binkley How to Succeed in Business Without Really Trying, Peter Kaczorowski Anything Goes, Brian MacDevitt The Book of Mormon 

My Pick: Peter Kaczorowski for Anything Goes-again, I think Anything Goes will pull a South Pacific

Best Sound Design of a Play: Acme Sound Partners and Cricket S. Myers Bengal Tiger at the Baghdad Zoo, Simon Baker Brief Encounter, Ian Dickinson for Autograph Jerusalem, Christopher Shutt War Horse

My Pick: Ian Dickinson for Jerusalem-because of the nature of the shows, this should come down to War Horse or Jerusalem but I really fell in my gut that Jerusalem will take this

Best Sound Design of a Musical: Peter Hylenski The Scottsboro Boys, Steve Canyon Kennedy Catch Me If You Can, Brian Ronan Anything Goes, Brian Ronan The Book of Mormon

My Pick: Brian Ronan for Anything Goes-pulling a South Pacific

Monday, May 2, 2011

2011 Tony Award Nominee Predictions

It is now May 2nd and thus, all Tony-eligible shows have opened. The critics have had their say, and now the Tony voters will have theirs. The 2011 Tony Award Nominees will be announced tomorrow on Tuesday May 3rd at 8:30am EST on tonyawards.com and I can't wait! I am going to do my best to predict the nominees based on reviews & personal opinions. I'm just guessing at the nominees for now, but I'll certainly make my predictions for winners once the nominees are announced. I'm not going to even venture a guess on the technical categories because I have not seen all of the productions and these awards are primarily based on visual impact.

Best Play:
Good People                           David Lindsay-Abaire
Jerusalem                               Nez Butterworth
The Mother**With The Hat        Stephen Adly Guirgis
War Horse                              Nick Stafford

Best Musical:
Catch Me If You Can                Terrence McNally, Marc Shaiman & Scott Wittman
Priscilla Queen of the Desert     Stephen Elliot & Allan Scott
Sister Act                                Alan Menken & Glen Slater
The Book of Mormon                Robert Lopez, Trey Parker & Matt Stone

Best Book of a Musical:
Iris Rainer Dart                        The People in the Picture   
Lopez, Parker & Stone             The Book of Mormon             
Terrence McNally                     Catch Me If You Can
David Thompson                      The Scottsboro Boys              


Best Original Score (Music and/or Lyrics) Written for the Theatre:
Catch Me If You Can                Marc Shaiman & Scott Wittman
The Book of Mormon                Robert Lopez, Trey Parker & Matt Stone
The Scottsboro Boys                John Kander & Fred Ebb 
Women on the Verge...             David Yazbek

Best Revival of a Play:
The House of Blue Leaves        John Guare
The Importance...Earnest         Oscar Wilde
The Merchant of Venice            William Shakespeare
The Normal Heart                     Larry Kramer

Best Revival of a Musical:
Anything Goes                          Cole Porter
How To Succeed...                    Frank Loesser     

Best Performance by a Leading Actor in a Play:
Brian Bedford                            The Importance of Being Earnest
Bobby Cannavale                      The Mother** with the Hat
Joe Mantello                             The Normal Heart
Al Pacino                                  The Merchant of Venice
Mark Rylance                            Jerusalem

Best Performance by a Leading Actress in a Play:
Cherry Jones                            Mrs. Warren's Profession
Frances McDormand                 Good People
Lily Rabe                                  The Merchant of Venice
Vanessa Redgrave                    Driving Miss Daisy
Kathleen Turner                        High

Best Performance by a Leading Actor in a Musical:
Norbert Leo Butz                       Catch Me If You Can
Josh Gad                                   The Book of Mormon
Daniel Radcliffe                         How To Succeed...
Andrew Rannells                       The Book of Mormon
Tony Sheldon                            Priscilla Queen of the Desert

Best Performance by a Leading Actress in a Musical:
Sutton Foster                            Anything Goes
Patina Miller                             Sister Act
Donna Murphy                         The People In The Picture
Sherie Rene Scott                     Women on the Verge...

Best Performance by a Featured Actor in a Play:
Mackenzie Crook                     Jerusalem
Tate Donovan                           Good People
John Benjamin Hickey               The Normal Heart
Jim Parsons                               The Normal Heart
Yul Vasquez                              The Mother** with the Hat

Best Performance by a Featured Actress in a Play:
Ellen Barkin                               The Normal Heart
Edie Falco                                 The House of Blue Leaves
Judith Light                                Lombardi
Estelle Parsons                           Good People
Elizabeth Rodriguez                    The Mother** with the Hat

Best Performance by a Featured Actor in a Musical:
Nick Adams                              Priscilla Queen of the Desert
Joel Grey                                   Catch Me If You Can
John Laroquette                         How to Succeed
Rory O'Malley                           The Book of Mormon
Tom Wopat                               Catch Me If You Can

Best Performance by a Featured Actress in a Musical:
Laura Benanti                             Women on the Verge...
Kerry Butler                               Catch Me If You Can
Victoria Clark                            Sister Act
Nikki M. James                         The Book of Mormon
Laura Osnes                              Anything Goes

Best Direction of a Play:
Marianne Elliot & Tom Morris      War Horse
Joel Grey & Goerge C. Wolfe      The Normal Heart
Emma Rice                                  Brief Encounter
Anna D. Shapiro                         The Mother** with the Hat

Best Direction of a Musical:
Kathleen Marshall                        Anything Goes
Nicholaw/Parker                          The Book of Mormon
Susan Stroman                            The Scottsboro Boys
Alex Timbers                               Bloody Bloody Andrew Jackson

Best Choreography:
Rob Ashford                              How To Succeed in Business Without Really Trying
Ross Coleman                           Priscilla Queen of the Desert
Kathleen Marshall                      Anything Goes
Jerry Mitchell                             Catch Me If You Can

Wednesday, December 1, 2010

Bloody Bloody Andrew Jackson Will Shutter on Broadway Jan. 2, 2011 - Playbill.com

The show that was the hit of the Public Theatre's season and was thought to be Broadway's next big hit as well has received its closing notice. According to producers, they have yet to have a week where they make enough profit to cover their operating costs, let alone making enough to pay back initial investments. While the show will close well before the TONY awards, they still have a chance to be nominated for awards as was the case with last season's revivals of Finian's Rainbow and Ragtime which closed well before TONY season. Bloody Bloody Andrew Jackson will play its final performance Sunday January 2nd.

Bloody Bloody Andrew Jackson Will Shutter on Broadway Jan. 2, 2011 - Playbill.com

Wednesday, November 17, 2010

My Most Memorable Theatre Experiences: #4 HAIR

For five weeks straight in the summer of 2009 I played the ticket lottery for the Broadway revival of Hair almost everyday. It seemed that I would never win the ticket lottery, oddly enough I rarely lose Broadway ticket lotteries, so I heard about the standing room tickets and decided to go that route. Now I would never recommend standing for a Broadway show because I feel that it takes you out of the performance but for this show, it does the exact opposite. Because the cast members, or the tribe, frequently enter the audience and perform in the aisles, I felt like I was truly part of the performance. As I stood behind the last row of the orchestra, Alison Case (Crissy) gave me a flower and an invitation to a "be-in," Will Swenson (Berger) dove over me to get to the last row of the orchestra, and Darius Nichols (Hud) picked me up and carried me around when he made his Act II entrance.

I really didn't know what to expect when I saw the show for the first time, even though I had heard nothing but positive reactions and I really enjoyed the TONY awards performance. Because Hair is more of a concept musical than a traditional plot-driven show, I must admit that I had a bit of trouble following the story the first time I saw the show and it did not strike me the way I expected it would as I could not find a way to relate to the 1960s characters. Nevertheless I had a great time and loved the energy of the performance, especially when I got to go onstage during the finale dance party.

In the days following the performance, I could not get Hair out of my head and could not stop listening to the soundtrack. Then it hit me that Hair was not just about the 1960s, but rather it was about the power that young people can have when they are united as one. I have never really considered myself an activist but the message of this show, "Letting the Sun Shine In" seemed to relate so closely to many of the issues facing our nation today and I felt so compelled to do something with the passion I felt for this show.

The second time I saw the show on Broadway I was completely invested in everything the cast was doing and the composers were trying to say and I really "got it". When Gavin Creel, Hair's original Claude, began to promote the national march for equality in Washington DC within the Broadway community, I knew I had to be there. Going to the march on the national mall on October 11th, 2009 with all of my theatre friends was one of the most elating experiences of my entire life and it was on that day that I learned what it really meant to "Let the Sun Shine In".

During this time I was also working on my own creative project as a tribute to the youth movement portrayed so artfully in Hair. I was inspired to choreograph Levitating The Pentagon based on my research of the youth culture of the 1960s. While my piece was not meant to be a direct representation of what I saw and felt from Hair, I wanted to capture the show's community and self-empowerment themes in a different medium: postmodern dance.


I saw the Broadway production of Hair for a third time in May of this year with a new cast that was so much different than the original tribe while still maintaining the youthful energy and feeling of community. I was so happy to be back in the Al Hirschfeld theatre where I had been so inspired six months earlier, not only to create my own art, but to join a social movement. Seeing Hair with two friends who were new to the show was a particularly special experience as I again realized how magical this piece of art really is.

The Broadway production played its final performance on Sunday June 27th, 2010. While I, along with thousands of others, was so sad to see it go, I know that as this production embarks on its national tour it will continue to inspire new generations of starshines to become the change they want to see in their own world, whether that is in regard to politics, the environment, equality, or any other issue that they feel passion for. It began in Washington, DC on October 26th, 2011 and continues to spread love to all who are willing to receive it.

When the original production of Hair premiered on Broadway in April of 1968, it was revolutionary and when this revival opened in March of 2009, it compelled an entirely new generation of hippies to stand up for their beliefs the same way that their grandparents did in the 1960s. So I would like to thank James Rado, Gerome Ragni, and Galt MacDermot for having the courage to write a musical that challenged the status quo and Joe Papp and the Public Theatre for believing that theatre could inspire social change. You have taught us all that our differences make us beautiful and that we all possess, within ourselves, the power to change the world around us.

Comment for your chance to win a free pair of tickets to Broadway's FELA!

FELA!, the most critically acclaimed new musical of the season, has received three Tony Awards®: Best Choreography, Best Costume Design for a Musical and Best Sound Design of a Musical!
Now featuring Grammy winner and multi-platinum recording artist Patti LaBelle!

His story inspired a nation. His music inspires the world. FELA! tells the true story of the legendary Nigerian musician Fela Kuti, whose soulful Afrobeat rhythms ignited a generation. Motivated by his mother, a civil rights champion, he defied a corrupt and oppressive military government and devoted his life and music to the struggle for freedom and human dignity.
FELA! is a triumphant tale of courage, passion and love, featuring Fela Kuti’s captivating music and the visionary direction and choreography of Tony Award winner Bill T. Jones.

FELA! is currently playing at the Eugene O'Neill Theatre on W. 49th st through January 2nd. Here is your chance to win a free pair of tickets to this Broadway hit! Just post your answer to the following trivia question in the comments section below and also include your email address so I can contact the winner. I will be accepting answers until next Wednesday, November 24th at 3pm so the winner will have a lovely Thanksgiving present!

Bill T. Jones, Tony winning choreographer of FELA! also won a Tony award for choreographing which other hit Broadway musical?

Thursday, October 28, 2010

My Most Memorable Theatre Experiences: #6 Next to Normal

I apologize for neglecting this blog series over the past few weeks. I've been trying to cover the start of the figure skating season but now that that is underway, I'm back to theatre! I lived in Manhattan in the summer of 2009 and made it my personal goal to see every musical on Broadway. After the TONY awards, I became interested in Next to Normal and decided to wait in line for rush tickets. I thought I'd be fine arriving at 9am for a 10am box office opening, but little did I know, that was much too late. I didn't get tickets and saw Rock of Ages that night instead. On the way home from that show, I passed the Booth Theatre and happened to bump into Alice Ripley. She asked if I'd seen the show that night and I was so starstruck I could barely speak, but eventually found the words to tell her I'd waited in line but didn't get tickets. I proudly announced that I planned to get in line at 5am the next week to ensure that I'd get tickets. Then, to my surprise, Alice hugged me and told me how much she loves her fans and that she is so proud to be in a show that people love enough to wait in line for hours for rush tickets. She even told me to friend her on facebook and tell her when I was coming to the show, which I may or may not have done.

The next Friday, I arrived at the Booth Theatre at 5am and was first in line. When the box office opened at 10am I was able to purchase front row orchestra seats for $20 and could not believe my luck. I treated myself to the full theatre experience that night including a nice dinner before curtain. I hadn't listened to the music prior to seeing the show as I wanted to experience it all that night and from the beginning notes of the prelude, I was completely enraptured. I normally fall in love with shows because the music speaks to my soul, and this show was a perfect example of that. I found the blend of soft, traditional musical theatre, with rock and folk music to be genius in getting to the essence of the Goodman family. In some productions, good music can mask a weak story or poorly written book, but this show was one of those rare occasions where all elements worked perfectly in harmony. I use this phrase often, but this show is truly a play with music, because even if the score were taken away, the characters are developed enough to tell a complete story. How this show lost the TONY for Best Musical to Billy Elliott still astounds and infuriates me. Alice Ripley, who did win a TONY for Best Actress in a Musical for her portrayal of Diana Goodman, a wife and mother suffering from bipolar disorder and depression was a complete tour de force. Patti LuPone once said that the most exciting performers to watch are those that are on the verge of spinning out of control. This describes Alice's performance perfectly. One minute she was in control of her voice and body and the next moment she wasn't and not only did that make her performance exciting, it made her portrayal of a mentally ill woman believable. While the other performers, J Robert Spencer as Dan, Kyle Dean Massey as Gabe, Jennifer Damiano as Natalie, Louis Hobson as the Doctors, and Adam Chanler-Berat as Henry were all fantastic, in my opinion they only served to support the character of Diana. While I think this show is stellar regardless of the casting, I think that Alice Ripley has become so iconic in this role that without her, it may not have much staying power on Broadway. In fact, now that Marin Mazzie has taken over the role, the show has all but posted its closing notice. But regardless of how much longer it lasts on Broadway, this show shed light on a topic previously untouched by musical theatre, developed a cult following, and truly touched a new generation of theatre-goers. And did I mention that it won the 2010 Pulitzer Prize for drama?

Thursday, September 30, 2010

My Most Memorable Theatre Experiences: #8 Wicked

Those who know me well know that  my love for Wicked runs deep and may be surprised that it is not higher on my list of memorable theatre experiences. I think the reason is that I have seen it so many times, it must be 7 or 8 now, so the impact of my initial experience began to fade with each repeat visit. Because of this, I am a strong proponent of only seeing a show once if it has a strong effect on you the first time you see it. I saw Wicked for the first time in 2004 on Broadway. Most of the original cast had left by that time, including my idol Kristin Chenoweth, but Idina Menzel was still playing the role of Elphaba. I didn't know a lot about Wicked the first time I saw it, in fact I didn't know much about Broadway at all. While I had seen a lot of shows on their national tours as a youngster, Wicked was my first true Broadway show. I have a hard time deciphering what I remember from my first time seeing Wicked and what has been filled in by my repeat visits, but I do remember that the song For Good made a very profound impression on me. This representation of a friendship between two women was something that I had never seen in a musical before and it struck me as somewhat groundbreaking. I had the slightest inkling that this message of friendship would touch other people as it had me and that Wicked just might be the next big smash hit on Broadway. Well I think thousands of theatre-goers would agree with me and Wicked has become Broadway's juggernaut, running for 7 straight years to sold out houses at Broadway's Gershwin Theatre as well as several national touring companies, sit down productions in Chicago, Los Angeles, and San Francisco, and several international productions.

I think Idina Menzel said it best in her accetance speech for the 2004 TONY award for Best Performance by a Leading Actress in a Musical for Elphaba when she exclaimed "I'm so proud to be in a show that celebrates women and our strengths and differences." I guess this aspect of the show is what has drawn me back to Wicked at least once a year since 2004. The universal message of friendship and accepting our differences speaks to the heart of every person. There are times in our lives when we relate more to Glinda and there are times when relate more with Elphaba, but nevertheless, we've all had close friendships that have grown from our differences and this show reminds us of how important those relationships truly are. Sure, we've all had our favorite Elphabas and Glindas and while many are still partial to the original cast, I actually prefer Stephanie J Block in the role of Elphaba and have grown to love Annaleigh Ashford's Glinda. But with every cast change on Broadway and around the world, the names of the actresses playing the lead characters become less important and the show itself has emerged as the true star.

Friday, September 24, 2010

Barbie's Big Bold Statement of the Day

Everyday Rapture is the first piece of truly perfect theatre to hit Broadway since Sunday in the Park with George.

I was thinking about Everyday Rapture a lot today and I can't help but marvel about what an incredible piece of theatre it really is. I am going to go out on a limb and say it is the only new musical I've ever seen where every element works. Most new musicals have a strong score and a weak book, or strong actors and weak material, etc. But this show was simply fantastic. I cannot come up with enough adjectives to describe what I felt for this show. The book by Sherie Rene Scott and Dick Scanlan is, according to Scott, about 50% reality and 50% embellishment but the transition is seamless and one would never suspect that it was not all autobiographical. And her singing and acting abilities? Well they are unparalleled. I am going to agree with Barbara Cook and say Catherine Zeta-Jones did now deserve that Tony award, Miss Sherie Rene Scott did. I've seen a lot of Tony winning female performances including the revered Alice Ripley in Next To Normal and Idina Menzel in Wicked and in my opinion, neither of them even came close to the level of talent that Sherie Rene Scott displayed in this show.

Now I've seen some amazing revivals in my time, A Little Night Music, Hair, and South Pacific to name a few that were really spectacular, but this post is devoted specifically to new musicals and I stand behind my decision 150%.

Here is my review of the show as well as one of my favorite video clips.

http://backstagebarbie.blogspot.com/2010/07/what-would-judy-do.html

Friday, September 10, 2010

Next to Normal to Close?

There has been no official announcement from the producers so I will wait until then to really get upset, but rumors are flying that Next to Normal will shutter at the Booth theatre on January 2nd of 2011. This happens to be the closing date of FELA! as well as 5 other shows. Unfortunately the winter season after the holidays can be perilous for many Broadway shows. This wonderful production, winner of 2009 TONY awards for best score and best actress in a musical will surely be missed and its absence will leave a gaping hole on West 45th street.

Wednesday, September 1, 2010

The Barbie Award for Working Hard For The Money: Miss Sutton Foster

I decided that In addition to Breaking Broadway News, Fun Facts, and Showtunes of the Day (which I plan to keep up with daily now that my life has calmed down) I'm going to start giving out my own version of the Tony Award, which I'll obviously call the Barbie Award. Unlike the Tony Awards which are given out one glorious day a year, the Barbie Award can be given to any performer or person involved with the theatre on any given day for any given reason.

So I'm going to give out my first award, The Barbie Award for Working Hard for the Money, to the busiest lady on the boards these days.

Ever since her Peggy Sawyer-esque moment of breaking out of the chorus to become the star in Thoroughly Modern Millie, Sutton Foster has become Broadway's Sweetheart. Since then she has played featured or leading roles in shows such as Little Women, The Drowsy Chaperone, Young Frankenstein and Shrek. She has also release a solo album entitled Wish.

She has been a busy gal since her jump into the spotlight in 2002, but nothing compares to this year. She is currently starring in the Off-Broadway play Trust at Second Stage and it was announced a few weeks ago that she will take on another starring role as Reno Sweeney in Roundabout Theatre Company's production of Anything Goes which lands on Broadway in Spring 2011. Throughout the fall and winter of this year and into 2011 Sutton will be performing across the country in her solo concert series. In addition, she recently performed in an Actor's Fund benefit show of They're Playing Our Song with Seth Rudetsky. And as if she is not busy enough, she is actually scheduled to perform in readings of two upcoming shows. The first is the new musical Bonnie & Clyde co-starring Will Swenson of Hair fame with a score by Rick Crom and a book by her very own brother, Hunter Foster. The second reading she plans to participate in is Nice Work If You Can Get It, a Gershwin review of sorts co-starring Matthew Broderick.

Well, I'm tired just writing all of that so I can only image how Miss Foster must feel! Get some Red Bull girl and keep that energy up...we would love to see some more Broadway hits in your future. And even though the Barbie Award is a huge honor, I'd love for you to win another Tony as well.